Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,263 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Palazzo Pitti

    Firenze, Italia

    Carlo Dolci, Saint Rose of Lima, 1668
  • Rules of Civility

    by Amor Towles

    “For better or worse, there are few things so disarming as one who laughs well at her own expense.”

  • The Society Ball 2022

    Handel and Haydn Society (Symphony Hall)

    The gala musical performance
  • The Inheritance, Parts 1 and 2

    by Matthew López / Inspired by “Howards End” by E. M. Forster / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at The Inheritance, Part 2
  • Head Over Heels

    Music and lyrics by The Go-Go’s and Belinda Carlisle / Conceived by & original book by Jeff Whitty; adapted by James Magruder / Based on “The Countess of Pembroke’s Arcadia” by Sir Philip Sidney / Directed by Brian Boruta (The Umbrella)

    Curtain call at Head Over Heels
  • Drop Dead Gorgeous

    Directed by Michael Patrick Jann

    “My mom gave me this 9-mil for my 13th birthday. Yeah. I’ll always remember what she put on the card, ‘Jesus Loves Winners.’ That’s why no matter what I do, I aim to win.”

  • Disegno #32

    Disegno, the quarterly journal of design

    “Like a time-capsule, the photographs of the interiors of the Nakagin Capsule Tower units—shot by Noritaka Minami over the course of many years—transport me back in time to the Tokyo of the 1970s, where I spent my childhood. More immediately, they take me slightly less further back, to a time eight years ago when I rented a unit in Tower B.”

  • Romy and Michele’s High School Reunion

    Directed by David Mirkin

    “Aw, look, poor thing—they won’t let her shop. Yeah, like those salesgirls in Beverly Hills aren’t bigger whores than she is.”

  • On Booze

    by F. Scott Fitzgerald

    “I only wanted absolute quiet to think out why I had developed a sad attitude toward sadness, a melancholy attitude toward melancholy and a tragic attitude toward tragedy—why I had become identified with the objects of my horror or compassion.”

  • Oklahoma!

    Music by Richard Rodgers / Lyrics by Oscar Hammerstein II / Book by Oscar Hammerstein II / Based on “Green Grow the Lilacs” by Lynn Riggs / Directed by Daniel Fish (Providence Performing Arts Center)

    Curtain call at Oklahoma!
  • The Mind Issue

    Kinfolk Magazine

    “Selling out is an accusation that is only leveled at certain artists. One Direction, Cher and Stephen King are immune from such critique. The notion of a sellout relies on the belief that particular artists owe something to their audiences or wider community; something that is incompatible with certain forms of commercial success. A change in style could be considered selling out, by switching your self-penned confessional folksy ballads for a synth-heavy pop sound, for instance, or by eschewing the art house cinema that built your reputation to direct a superhero movie.”

  • In Cold Blood

    by Truman Capote

    “There is considerable hypocrisy in conventionalism. Any thinking person is aware of this paradox; but in dealing with conventional people it is advantageous to treat them as though they were not hypocrites. It isn’t a question of faithfulness to your own concepts; it is a matter of compromise so that you can remain an individual without the constant threat of conventional pressures.”

  • West Side Story

    Directed by Stephen Spielberg

    “I don’t know where the rumble is. I don’t even know what a rumble is.”

  • Rebecca

    Directed by Alfred Hitchcock

    “That’s not the Northern lights. That’s Manderley!”

  • The House of Bernarda Alba

    by Federico GarcĂ­a Lorca

    “I want no weeping. We must look death in the face. Silence! Be quiet, I said! Tears, when you’re alone. We will all drown ourselves in a sea of mourning. The youngest daughter of Bernarda Alba has died a virgin. Did you hear me? Silence! Silence, I said! Silence!”

  • Rebecca

    by Daphne du Maurier

    “The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.”

  • Provincetown Art Association and Museum

    Provincetown, MA

    Austin Ballard, Field Fold (Cardinal over Black and White Melange), 2017 (foreground); Georden West, He Is Quit, 2022 (background)
  • On Earth We’re Briefly Gorgeous

    by Ocean Vuong

    “Remember: The rules, like streets, can only take you to known places.”

  • The Girl on the Velvet Swing: Sex, Murder, and Madness at the Dawn of the Twentieth Century

    by Simon Baatz

    “Evelyn Nesbit’s life, in the end, was little different from the lives of millions of others, a story of perseverance and determination, of achievement and independence, that nothing could finally diminish.”

  • House of Gucci

    Directed by Ridley Scott

    “I don’t consider myself to be a particularly ethical person, but I am fair.”