Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Category is

Opera

  • Vanessa

    Music by Samuel Barber / Libretto by Gian Carlo Menotti / Adapted by Jacob Ashworth / Arranged by Dan Schlosberg / Directed by R.B. Schlather (Williamstown Theatre Festival)

    Curtain call at Vanessa

  • La Bohème

    Music by Giacomo Puccini / Libretto by Luigi Illica and Giuseppe Giacosa / Directed by Yuval Sharon (Boston Lyric Opera)

    Curtain call at La Bohème

  • La Traviata

    Music by Giuseppe Verdi / Libretto by Francesco Maria Piave (Musica a Palazzo at the Palazzo Barbarigo Minotto)

    Curtain call at La Traviata

  • I Am A Dreamer Who No Longer Dreams

    Music by Jorge Sosa / Libretto by Cerise Lim Jacobs / Directed by Elena Araoz (White Snake Projects)

    Curtain call at I Am A Dreamer Who No Longer Dreams

  • PermaDeath: A Video Game Opera

    Music by Dan Visconti / Libretto by Cerise Lim Jacobs and Pirate Epstein (White Snake Projects)

    Curtain call at PermaDeath

  • Le comte Ory

    Music by Gioachino Rossini / Libretto by Eugène Scribe and Charles-Gaspard Delestre-Poirson / Directed by Roxanna Myhrum (Lowell House Opera)

    Curtain call at Le comte Ory

  • The Nefarious, Immoral but Highly Profitable Enterprise of Mr. Burke & Mr. Hare

    Music by Julian Grant / Libretto by Mark Campbell / Directed by David Schweizer (Boston Lyric Opera)

    Curtain call at Burke and Hare

  • REV. 23

    Music by Julian Wachner / Libretto by Cerise Lim Jacobs / Directed by Mark Streshinsky (White Snake Projects)

    Curtain call at REV. 23

  • Handel’s Giulio Cesare

    Boston Baroque / Directed by Mary Birnbaum (NEC’s Jordan Hall)

    Curtain call at Giulio Cesare

  • Der Zwerg

    Music by Alexander von Zemlinsky / Libretto by Georg C. Klaren (Odyssey Opera)

    The ensembele takes a bow

  • The Merry Wives of Windsor

    Music by Otto Nicolai / Libretto by Salomon Hermann Mosenthal / Based on “The Merry Wives of Windsor” by William Shakespeare (The Boston Conservatory)

    Curtain call at The Merry Wives of Windsor

  • Breaking the Waves

    Music by Missy Mazzoli / Libretto by Royce Vavrek / Based on “Breaking the Waves” by Lars von Trier / Directed by James Darrah (Prototype Festival)

    Curtain call at Breaking the Waves

  • L’Amour de loin

    Music by Kaija Saariaho / Libretto by Amin Maalouf / Based on “La vida breve” by Jaufré Rudel / Directed by Robert LePage (The Metropolitan Opera)

    Curtain call at L’Amour de loin

  • Greek

    Music by Mark-Anthony Turnage / Libretto adapted by Mark-Anthony Turnage and Jonathan Moore from “Greek” by Steven Berkoff / Directed by Sam Helfrich (Boston Lyric Opera)

    Curtain call at Greek

  • Song from the Uproar: The Lives and Deaths of Isabelle Eberhardt

    Music by Missy Mazzoli / Libretto by Royce Vavrek and Missy Mazzoli (Beth Morrison Projects at the Isabella Stewart Gardner Museum)

    The ensemble takes a bow

  • Carmen

    Music by Georges Bizet / Libretto by Ludovic Halévy and Henri Meilhac / Directed by Calixto Bieito (Boston Lyric Opera)

    Curtain call at Carmen

  • Madame White Snake

    Music by Zhou Long / Libretto by Cerise Lim Jacobs / Directed and designed by Michael Counts (White Snake Projects with Beth Morrison Projects)

    Curtain call at Madame White Snake

  • The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder / Directed by Mark Streshinsky (Boston Baroque at NEC’s Jordan Hall)

    Curtain call at The Magic Flute

  • Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther

  • Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow