Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,376 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Mrs. Harris Goes to Paris

    Mrs. Harris Goes to Paris

    Directed by Anthony Fabian

    “It’s not sewing, it’s making moonlight.”

  • Elvis

    Elvis

    Directed by Baz Luhrmann

    “You can do ten stupid things if you do one smart thing.”

  • Waterfire

    Waterfire

    Providence, RI

    Barnaby Evans, The braziers in the basin
  • Anastasia

    Anastasia

    Music by Stephen Flaherty / Lyrics by Lynn Ahrens / Book by Terrence McNally / Based on “Anastasia” by Don Bluth, Gary Goldman, Susan Gauthier, Bruce Graham, and Bob Tzudiker / Directed by Sarah Hartman based on original direction by Darko Tresnjak (Broadway in Boston, Boston, MA)

    Curtain call at Anastasia
  • Varla Jean Merman’s Ready to Blow

    Varla Jean Merman’s Ready to Blow

    The Paramount Room at the Crown and Anchor

    Varla performs her show
  • Chita Rivera with Seth Rudetsky

    Chita Rivera with Seth Rudetsky

    The Art House at Town Hall

    Chita performs “All That Jazz” from Chicago
  • Along for the Ride

    Along for the Ride

    by Scott Kearnan (Napoleon Room)

    Scott sings a tune
  • “Is there anyone in the civilized world whose eyes do not light up and face does not smile when he hears the word champagne?”

  • Titaníque

    Titaníque

    Book by Tye Blue, Marla Mindelle and Constantine Rousouli / Featuring the music of Celine Dion / Directed by Tye Blue (Asylum NYC)

    The cast leads the audience in a singalong of “My Heart Will Go On”
  • Company

    Company

    Music and lyrics by Stephen Sondheim / Book by George Furth / Directed by Marianne Elliott (Bernard B. Jacobs Theatre, New York City, NY)

    Curtain call at Company
  • Into the Woods

    Into the Woods

    Music and lyrics by Stephen Sondheim / Book by James Lapine / Directed by Lear deBessonet (St. James Theatre, New York City, NY)

    Curtain call at Into the Woods
  • “It is always assumed that Venice is the ideal place for a honeymoon. This is a grave error. To live in Venice or even to visit it means that you fall in love with the city itself. There is nothing left over in your heart for anyone else.”

  • Rodgers + Hammerstein’s Cinderella

    Rodgers + Hammerstein’s Cinderella

    Music by Richard Rodgers / Lyrics by Oscar Hammerstein II / Book by Oscar Hammerstein II and Douglas Carter Beane / Based on “Cendrillon” by Charles Perrault and “Cinderella” by Rodgers and Hammerstein / Directed by Kevin P. Hill (North Shore Music Theatre, Beverly MA)

    Curtain call at Cinderella
  • Disegno #33

    Disegno #33

    Disegno, the quarterly journal of design

    “Outlining historical connections in colour can only get you so far—there’s an element that’s missing if you don’t experience it in person. In honour of this, the exhibition is itself an exercise in experimenting with colour, with the Vitra Design Museum´s collection acting as the material that Marcelis is manipulating. The museum’s team are happy to give themselves up to this process, partly as it has allowed them to re-discover ‘objects that were previously virtually unknown or at least somewhat hidden,’ as Steinmüller describes it, and provide these objects with ‘the space to glow.’”

  • The Weather Issue

    The Weather Issue

    Kinfolk Magazine

    “Cohen’s argument is not a pep talk that promises losers that ‘the only way is up.’ That way of thinking plays into the same unhelpful binary: By optimistically imagining a win on the horizon, we are still acting out our fear of loss. Instead, salvation lies in humility, which Cohen describes as ‘the consequence of an awareness that truth doesn’t belong to us.’ Like loss, humility is characterized by an absence: of pride, self-regard, entitlement. This absence humbles us when we lose, and when we win—as Cohen writes, ‘Humility reminds us of the large portion of arbitrariness that determines any personal success or failure.’”

  • BLAU International No. 6

    BLAU International No. 6

    BLAU International (Louis Fratino cover)

    “Three hours later—some part of which I’d spent fearing for the life of the 76-year-old artist when he fell off a table during an extended force-feeding session—sat down with the two performers over red wine and pizza. I was grateful not only that Paul and Lilith had showered extensively before dinner, but also that the two—perhaps the greatest, most convincing, and most abysmally terrifying pair since Elizabeth Taylor and Richard Burton—were now in a state of absolute lightness. All the perturbance from that afternoon had evaporated. They seemed free and familiar, like 8-year-old best friends at a birthday party, and you could tell from the faces of the other dinner guests that their catharsis had clearly rubbed off.”

  • A Beautiful Noise: The Neil Diamond Musical

    A Beautiful Noise: The Neil Diamond Musical

    Book by Anthony McCarten / Featuring the music of Neil Diamond / Directed by Michael Mayer (Emerson Colonial Theatre, Boston, MA)

    Curtain call at A Beautiful Noise

  • “Let’s see, what else? Don’t go into debt over clothes. Hug your dogs while you have them. Know that you can skip most anything. You will fall in love eventually. Remember that. Also, the things you like aren’t weird. Don’t worry about being normal. It’s an awful thing to aspire to.”

  • Gay Bar: Why We Went Out

    Gay Bar: Why We Went Out

    by Jeremy Atherton Lin

    “I found myself taking more risks, because failure had a second life—it could spin a yarn. There was an agency in the retelling, in the self-deprecation and of course self-mythologizing. Memoir is how you groom yourself. Memoir is drag.”

  • The Cher Show

    The Cher Show

    Book by Rick Elice / Featuring the music of Cher / Directed by Gerry McIntyre (Ogunquit Playhouse, Ogunquit, ME)

    Curtain call at The Cher Show