Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Great Gatsby

    Music by Jason Howland / Lyrics by Nathan Tysen / Book by Kait Kerrigan / Based on “The Great Gatsby” by F. Scott Fitzgerald (Broadway in Boston)

    Curtain call at The Great Gatsby
  • Paranormal Activity

    by Levi Holloway / Based on “Paranormal Activity” by Oren Peli / Directed by Felix Barrett (Emerson Colonial Theatre)

    Curtain call at Paranormal Activity
  • Joseph and the Amazing Technicolor Dreamcoat

    Music by Andrew Lloyd Webber / Book and lyrics by Tim Rice / Directed by Gerry McIntyre (North Shore Music Theatre)

    Curtain call at Joseph and the Amazing Technicolor Dreamcoat
  • My Lover, the Rabbi

    By Wayne Koestenbaum

    “The rabbi, my lover, is back from Warsaw, so my concentration and self-esteem are destroyed. I wrote mythological poems in ninth grade, and the myth my lover resembles is Orpheus—not that I revere Orpheus, I think Orpheus was a failure and a turncoat, I prefer Abraham for being a semi-literalist about God’s commands. The real heartthrob is Isaac, who, if he were alive now and living in Hoboken or in this tiny town near Hoboken, a town I am devastated to admit is my permanent address, would wear studious gold-framed glasses and would have an unfashionable halo of disordered and frizzy curls; he would play the oboe and be constantly licking and biting and polishing his reeds; and he would treat me disrespectfully.”

  • Confessions II

    by Madonna

  • Howards End

    Directed by James Ivory

    “Whatever shall I do? You see, the modern ownership of movables is reducing us again to a nomadic horde. We are reverting to a civilization of luggage, Mr. Wilcox.”

  • Grey Gardens

    Directed by David Maysles, Albert Maysles, Ellen Hovde, and Muffie Meyer

    “We better check on mother and the cats. She’s a lot of fun, I hope she doesn’t die. I hate to spend another winter here though. Oh God, another winter.”

  • The Women

    Directed by George Cukor

    “Oh, you remember the awful things they said about what’s-her-name before she jumped out the window? There. You see? I can’t even remember her name so who cares?”

  • Charade

    Directed by Stanley Donen

    “It is infuriating that your unhappiness does not turn to fat!”

  • A Very British Scandal

    Created by Sarah Phelps

    “There were these monkeys, apes, bonobos, quite fascinating. Everything they do is about sex. They meet a new bonobo, they have sex with them. Sticking it in and out, dear, ‘hello, how do you do?’ In and out, tossing each other off, fingering each other, in and out, in and out, non-stop. It’s how they make friends. And I thought ‘that’s Margaret—in and out, in and out—Margaret is a bonobo.’”

  • Hello, Dolly!

    Music and lyrics by Jerry Herman / Book by Michael Stewart / Based on “The Matchmaker” by Thornton Wilder / Directed by Maggie Burrows (Ogunquit Playhouse)

    Curtain call at Hello, Dolly!
    Curtain call at Hello, Dolly!
  • Delirium

    Written and directed by Igor Golyak / Adapted from “Frenzy for Two” by Eugùne Ionesco (Arlekin Players)

    Curtain call at Delirium
  • Leading Lady: A Memoir of a Most Unusual Boy

    by Charles Busch

    “Fortunately, I did still say yes to some terrific opportunities, such as the chance to play the title role in a summer stock tour of Auntie Mame. To be on the safe side, at my cardiology checkup, I asked Dr. Erica Jones if she thought I had the endurance to undertake the physically demanding role of Mame. Not in the least showbiz savvy, she leaned in with a concerned look. ‘Will you be lifting anything heavy?’ To which I replied, ‘Well, I’ll be carrying the plot.’”

  • History Special

    Kinfolk Magazine

    “In the 20th century, Hans-Georg Gadamer was one of the theorists who helped to popularize the idea of ‘historical consciousness.’ He argued that we can only ever interpret the past through our own prejudices and traditions, and that meaning emerges through a fusion of past and present ‘horizons.’ Appreciation for the subjectivity of our historical consciousness was, he suggested, a relatively new phenomenon. He believed it was ‘the privilege of modern man to have a full awareness of the historicity of everything present and the relativity of all opinions.’”

  • Prettiest Girl in America

    by Meg Stalter

  • Toy Story 3

    Directed by Lee Unkrich

    “Now Woody, he’s been my pal for as long as I can remember. He’s brave, like a cowboy should be. And kind, and smart. But the thing that makes Woody special, is he’ll never give up on you
 ever. He’ll be there for you, no matter what.”

  • Les MisĂ©rables

    Music by Claude-Michel Schönberg / Lyrics by Herbert Kretzmer / Original text by Alain Boublil and Jean-Marc Natel / Book by Alain Boublil and Claude-Michel Schönberg / Based on “Les MisĂ©rables” by Victor Hugo / Directed by Laurence Connor and James Powell (Broadway in Boston)

    Curtain call at Les Misérables
  • The Hunchback of Notre Dame

    Music by Alan Menken / Lyrics by Stephen Schwartz / Book by Peter Parnell / Based on “The Hunchback of Notre Dame” by Victor Hugo / Directed by Doug Hodge (Norton Singers)

    Curtain call at The Hunchback of Notre Dame
  • The Drama

    Directed by Kristoffer Borgli

    “Why do you want to talk about fucking in front of your family? Or her family?”

  • The Producers

    Directed by Susan Stroman

    “Wait, here’s one: ‘One morning Gregor Samsa awoke to discover he had been transformed into a giant cockroach!’ Nah, too good.”