Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,390 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Maddie’s Secret

    Maddie’s Secret

    Directed by John Early

    “I swear to God, Maddie, it’s like you’re out of some modern-day fairy tale.”

  • No. 7: Time Sensitive

    No. 7: Time Sensitive

    Family Style

    “I see it as part of our role to help the next generation find their own voices. Everyone has to walk into the light themselves. That space of exploration is where new ideas emerge, and the more we stay open, the more able we are to find harmony. We live in a world full of extraordinary souls.” (Nick Cave)

  • The Future Was Color

    The Future Was Color

    by Patrick Nathan

    “Is any of this real? Could this possibly be the truth? Did such a day, I had to ask, really happen? Of course it did, George said. As inculcated, he began (in his accent it was a word that brought me great pleasure)—as inculcated as we are in the belief that we’re meant for some great purpose, that tomorrow, he said, we’ll live as the wealthy live, we are in truth conditioned to expect very little of our lives. It feels closed off to us to enjoy life. Yet we all have such days—at least once, but as often as not peppered throughout a life. These are the days we would see before we die, if it turns out to be true that we see anything at all.”

  • Rhinoceros

    Rhinoceros

    by Eugène Ionesco / Translated by Derek Prouse / Adapted by American Repertory Theater / Directed by Diane Paulus (American Repertory Theater, Cambridge, MA)

    Curtain call at Rhinoceros
  • Backrooms

    Backrooms

    Directed by Kane Parsons

    “Imagine describing a dog to someone who’s never seen one before and then asking them to draw it. They might get some things right, you know, but there is no way they would get everything right, you know? The devil is in the details.”

  • On the Fragility of Life

    On the Fragility of Life

    by Nick Cave (in conversation with Amanda Petrusich)

    “Loss becomes the primary condition of living. That doesn’t mean you’re in a hopeless, grief-stricken state all the time; it just means that you carry a deeper understanding of what it is to be human. We suffer as human beings, but out of that can come enormous joys, and genuine happiness, too. It can run in tandem with this ordinary sense of suffering. Otherwise, joy doesn’t resonate fully. Joy seems to leap forth out of suffering. Regardless of your loss, you see how beautiful, how meaningful, how joyful the world can suddenly be. Human beings in general, you know, are fleeting things. That’s something to understand on a fundamental level. That we have value. That we are precious.”

  • Rock of Ages

    Rock of Ages

    Book by Chris D’Arienzo / Music and lyrics by various / Directed by Kevin P. Hill (North Shore Music Theatre, Beverly, MA)

    Curtain call at Rock of Ages
  • To My Best Friend

    To My Best Friend

    Institute of Contemporary Art, Boston (Boston, MA)

  • Lucy Raven: Rounds

    Lucy Raven: Rounds

    Institute of Contemporary Art, Boston Watershed (Boston, MA)

  • Giovanni’s Room

    Giovanni’s Room

    by James Baldwin

    Ça ne manque pas, les chambres. The world is full of rooms— big rooms, little rooms, round rooms, square ones, rooms high up, rooms low down—all kinds of rooms! What kind of room do you think Giovanni should be living in? How long do you think it took me to find the room I have? And since when, since when”—he stopped and beat with his forefinger on my chest—“have you so hated the room? Since when? Since yesterday, since always? Dis-moi.”

  • City of Angels

    City of Angels

    Music by Cy Coleman / Lyrics by David Zippel / Book by Larry Gelbart / Directed by Hunter Foster (Ogunquit Playhouse, Ogunquit, ME)

    Curtain call at City of Angels
  • Project Hail Mary

    Project Hail Mary

    Directed by Phil Lord and Christopher Miller

    “Rocky hate Mark.”

  • Bending Perception: The Fluid Line

    Bending Perception: The Fluid Line

    Lanoue Gallery (SoWa, Boston, MA)

    Jeremy Holmes, Untitled (walnut with gray)
  • Picasso, Miró, Dalí: Unbound

    Picasso, Miró, Dalí: Unbound

    Museum of Fine Arts, Boston (Boston, MA)

  • Art of the Americas: 1700–1800

    Art of the Americas: 1700–1800

    Museum of Fine Arts, Boston (Boston, MA)

  • The Future of the Art World: 38 Dialogues

    The Future of the Art World: 38 Dialogues

    by András Szántó

    “Make people think again. We may believe that we’re at the pinnacle of awareness, civilization, and knowledge. We are, in fact, in the Dark Ages. Nobody is thinking for themselves. That’s why we need institutions to provide education, to offer a forum where things are open and where we can listen to alternative voices. Make people think again. It’s a simple thing. But think again.” (Alain Servais)

  • Moulin Rouge! The Musical

    Moulin Rouge! The Musical

    Book by John Logan / Based on “Moulin Rouge!” by Baz Luhrmann and Craig Pearce / Directed by Alex Timbers (Broadway in Boston)

    Curtain call at Moulin Rouge! The Musical
  • Stop! That! Train!

    Stop! That! Train!

    Directed by Adam Shankman

    “You just got a presidential address. And it’s 1600 ‘Out of My Way, Bitch’ Boulevard!”

  • The Eternal Sunshine Tour

    The Eternal Sunshine Tour

    Ariana Grande (TD Garden)

    Ariana Grande performs
  • The Odyssey

    The Odyssey

    Directed by Christopher Nolan

    “Don’t look for gods in men; you’ll always be disappointed.”