Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,374 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Sweet Charity

    Sweet Charity

    Directed by Bob Fosse

    “Wow! This place sure is crawlin’ with celebrities. I’m the only person here I never heard of.”

  • Marci X

    Marci X

    Directed by Richard Benjamin

    “Can you imagine being addicted to heroin?”“It’s heartbreaking.”“But does the weight stay off?”

  • Killing Stella

    Killing Stella

    by Marlen Haushofer (translated by Shaun Whiteside)

    “The act of salvation is never performed, because anyone with the strength to carry it out is unaware that they must do it, and the knowing person is incapable of action.”

  • Vanessa

    Vanessa

    Music by Samuel Barber / Libretto by Gian Carlo Menotti / Adapted by Jacob Ashworth / Arranged by Dan Schlosberg / Directed by R.B. Schlather (Williamstown Theatre Festival)

    Curtain call at Vanessa
  • Camino Real

    Camino Real

    by Tennessee Williams / Directed by Dustin Wills (Williamstown Theatre Festival)

    Curtain call at Camino Real
  • My Mom Jayne

    My Mom Jayne

    Directed by Mariska Hargitay

    “I would love to have had one more conversation with your father before he passed away, because I also would like to apologize to him because I’m sure I was also part of his suffering.” “Well, you’re 89, so you’ll get to tell him soon.”

  • Pittsburgh

    Pittsburgh

    Directed by Chris Bradley and Kyle LaBrache

    “With a capital T, and that gotsta rhyme with a P, and that stands for pool!”

  • The Wizard of Oz

    The Wizard of Oz

    Music and lyrics by Harold Arlen and E. Y. Harburg / Book by L. Frank Baum / Additional music by Herbert Stothart / Based on “The Wonderful Wizard of Oz” by L. Frank Baum / Directed by Robert W. Schneider (North Shore Music Theatre, Beverly MA)

    Curtain call at The Wizard of Oz
  • Our Evenings

    Our Evenings

    by Alan Hollinghurst

    “Sometimes it is the evidence, the spectacle of another person’s grief that harrows you, more than the loss itself.”

  • I’m Your Venus

    I’m Your Venus

    Directed by Kimberly Reed

    “I would like to be a spoiled rich white girl. They get what they want, whenever they want it. They don’t have to really struggle with finances, nice things, nice clothes, and they don’t have to have that as a problem.”

  • Blue

    Blue

    by Derek Jarman

    “For Blue there are no boundaries or solutions.”

  • Ming Fay: Edge of the Garden

    Ming Fay: Edge of the Garden

    Isabella Stewart Gardner Museum (Boston, MA)

    Installation view, Edge of the Garden
  • California

    California

    Kinfolk Magazine

    “Is it any wonder that so many of us, after a busy week of work, opt for a change of scene, as often as we can, rather than stay put and build the kind of community that we find so appealing elsewhere? The 17th-century French thinker Blaise Pascal suggested that this was down to humankind’s ‘secret instinct which impels them to seek amusement and occupation abroad.’ Alongside this urge, Pascal wrote, stood a contradictory pillar of self-knowledge: ‘That happiness in reality consists only of rest, and not in stir.’ In the case of the village mentality the contradiction is evident: We want the deep peace of belonging, but our itchy feet undermine our ability to put in the hours.”

  • Our Class

    Our Class

    by Tadeusz Słobodzianek / Directed by Igor Golyak (Arlekin Players at the Calderwood Pavilion, Boston, MA)

    Curtain call at Our Class
  • Camino Real

    Camino Real

    by Tennessee Williams

    “When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

  • “At some point, you have to set down the past. At some point, you have to accept that everyone was doing their best. At some point, you have to gather yourself up, and go onward into your life.”

  • The Wedding Banquet

    The Wedding Banquet

    Directed by Andrew Ahn

    “Fuck green card! I don’t even want to be an American. The trains are so slow and I never know how much to tip.”

  • Boop! The Musical

    Boop! The Musical

    by David Foster and Jasmine Amy Rogers

  • Waitress

    Waitress

    Book by Jessie Nelson / Music and lyrics by Sara Bareilles / Based upon the motion picture written by Adrienne Shelly / Directed by Kevin P. Hill (North Shore Music Theatre, Beverly MA)

    Curtain call at Waitress
  • BLAU International No. 12

    BLAU International No. 12

    BLAU International (Robert Ryman cover)

    “Arriving to my hotel that night, I was terribly impressed. As much as art was introducing me to new realms of thinking and seeing, it also really seemed to be getting me places. Over 30 years later, and after editing my first recorded conversation with the woman who has since become the grande dame of art collecting, I now realize that it must have felt the same for Ingvild Goetz. The journeys, the encounters, the stimulation she had enjoyed—talking about all this now she emanated a deep gratefulness. Even opening a public museum in one’s front yard is something she could still recommend. And why not? ‘Honestly,’ she says in our interview from page 190, ‘in all the years since, not a single guest has misbehaved.’”