Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,263 items (and counting) proving that I read, I saw, and I actually paid attention.

  • French Exit

    by Patrick deWitt

    “Do you know what a cliché is? It’s a story so fine and thrilling that it’s grown old in its hopeful retelling.”

  • Open Questions: Thirty Years of Writing about Art

    by Helen Molesworth

    “Queerness is the pursuit of happiness embodied. Queerness is the pursuit of happiness registered as both a necessity and a virtue. Queerness is the statement—sexual, aesthetic, intellectual, and affective—that one’s happiness belongs to oneself and must be pursued as such.”

  • Julius Eastman Ă— Kyle Marshall

    Isabella Stewart Gardner Museum (Calderwood Hall)

    The ensemble takes a bow
  • Peabody Essex Museum

    Salem, MA

    Marie Watt, Sky Dances Light, 2024
  • Wicked

    Directed by John M. Chu

    “I happen to be genuinely self-absorbed and deeply shallow.”

  • DalĂ­: Disruption and Devotion

    Museum of Fine Arts, Boston

    Salvador DalĂ­, Nature Morte Vivante (Still Life-Fast Moving), 1956
  • & Juliet

    Book by David West Read / Music and lyrics by Max Martin and others / Arranged by Bill Sherman / Based on “Romeo and Juliet” by William Shakespeare / Directed by Luke Sheppard (Broadway in Boston)

    Curtain call at & Juliet

  • The Substance

    Directed by Coralie Fargeat

    “Hi, everybody. I’m Sue. And it’s time to Pump It Up! Are you ready? Let’s go!“

  • The Big Dinner

    Hosted by Big Jahnelle and Big Atlas (Dorchester Brewing Company)

    DJ Maxine opens the night
  • Music of the Belle Époque and the Great War

    Kara & Peter Dugan, Catalyst String Quartet, Tom Gold Dance, & Charles Overton (Isabella Stewart Gardner Museum, Calderwood Hall)

    The ensemble takes a bow
  • Titanic

    Book by Peter Stone / Music and lyrics by Maury Yeston / Directed by Kevin P. Hill (North Shore Music Theatre)

    Curtain call at Titanic
  • SUNSET BLVD: The Album

    by Andrew Lloyd Webber and Nicole Scherzinger

  • Party Studies, Vol. 2: Underground Clubs, Parallel Structures and Second Cultures

    Edited by VĂ­ctor Aguado

    This edition elaborates understandings of the party by considering the hidden, the invisible, and the underground as material and imaginary forces, where partying is not only festive and excessive, but manifests in forms of social and political organizing, cultural and subcultural conversation, the maintenance of safe spaces and the building of parallel structures against established institutional forms.

  • Cabaret at the Kit Kat Club

    Music by John Kander / Lyrics by Fred Ebb / Book by Joe Masteroff / Based on I Am a Camera by John Van Druten and Goodbye to Berlin by Christopher Isherwood / Directed by Rebecca Frecknall (August Wilson Theatre)

    The entrance to the Kit Kat Club
  • SUNSET BLVD.

    Music by Andrew Lloyd Webber / Lyrics by Don Black and Christopher Hampton / Additional lyrics by Amy Powers / Book by Don Black and Christopher Hampton / Based on “Sunset Boulevard” by by Charles Brackett, Billy Wilder, and D. M. Marshman Jr. / Directed by Jamie Lloyd (St. James Theatre)

    Curtain call at SUNSET BLVD.
  • The Materialized Space the Architecture of Paul Rudolph

    Metropolitan Museum of Art

    Paul Rudolph, Rolling Dining Chair, 1968 (front); Andy Warhol, Before and After I, 1961 (rear)
  • Dirty Rotten Scoundrels

    Music and lyrics by David Yazbek / Book by Jeffrey Lane / Based on “Dirty Rotten Scoundrels” by Dale Launer, Stanley Shapiro, and Paul Henning / Directed by Allison Olivia Choat (Moonbox Productions)

    Curtain call at Dirty Rotten Scoundrels
  • D.V.

    by Diana Vreeland

    “What Elsie Mendl had was something else that’s particularly American—an appreciation of vulgarity. Vulgarity is a very important ingredient in life. I’m a great believer in vulgarity—if it’s got vitality. A little bad taste is like a nice splash of paprika. We all need a splash of bad taste—it’s hearty, it’s healthy, it’s physical. I think we could use more of it. No taste is what I’m against.”

  • Manet: A Model Family

    Isabella Stewart Gardner Museum

    Édouard Manet, Madame Auguste Manet, 1866
  • Charles Atlas: About Time

    Institute of Contemporary Art, Boston

    Installation view, About Time