Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.
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Víkingur Ólafsson takes a bow -
“Isn’t that it, to be yourself and somehow, to belong?”
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“I think there’s a real thirst for younger generations to have those kinds of spaces. I think as younger generations maybe look to gay restaurants or gay cafes as possible meeting places, I think that’s also going to bring up interest in the past when those kinds of places were everywhere, at least in gay neighborhoods and also in small towns and medium sized cities as well.”
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Borromeo String Quartet takes a bow -
Curtain call at Stereophonic -
“Nothing tells memories from ordinary moments. Only afterwards do they claim remembrance on account of their scars.”
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Narcissister, (clockwise from top left) Untitled Self-Portrait Series (Pink Nails), 2012; Untitled Self-Portrait Series (Cracked Mask), 2012; Untitled Self-Portrait Series (Gold Earrings), 2012; Untitled Self-Portrait Series (Checkered Shirt), 2012 
Mary Reid Kelley and Patrick Kelley, Stills from The Rape of Europa, 2025 
David Wojnarowicz, Arthur Rimbaud in New York, 1978-79/2004 
Yinka Shonibare, Dorian Gray, 2002 -
“What do you call a tireless, relentless homosexual? ‘Inde-faggot-ible.’”
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“Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.”
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“We need to send the message that we have a new culture here now. Where people should, of course, feel free to leave at 5:30 and be with their families. No one is going to be overworked like in the past. No more unpleasant incidents. But, of course, it’s not compulsory. And obviously, if people still have work to do, they should absolutely stay and continue to work. But it’s not strictly enforced. Although we still do want to meet quotas. So if we can do that, just remembering, you know, we are running a business here, so “let your conscience guide you” kind of thing. Yeah? Good.”
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Patrick Harris performs “Christmas Tips” from Co-op: The Musical -
Curtain call at Some Like It Hot -
“People being evicted, people losing their spaces, people getting kicked out, people getting priced out, it was just sorta something kinda happening. The mall comes, totally remakes your neighborhood, you adjust. It doesn’t adjust to you. You adjust to it. And it was impossible to not see the apartment project through that lens.”
