Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,374 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Wild Party

    The Wild Party

    Book by George C. Wolfe and Michael John LaChiusa / Music and lyrics by Michael John LaChiusa / Based on “The Wild Party” by Joseph Moncure March / Directed by Lili-Anne Brown (NYC City Center)

    Curtain call at The Wild Party
  • Titaníque

    Titaníque

    Book by Tye Blue, Marla Mindelle and Constantine Rousouli / Featuring the music of Celine Dion / Directed by Tye Blue (St. James Theatre, New York City, NY)

    Curtain call at Titaníque
  • The Wild Party

    The Wild Party

    by Joseph Moncure March with illustrations by Art Spiegelman

    “The rest were simply repetitions
    Of the more notorious. Slim editions: Less practised; less hardened:
    Less vicious; less strong:
    Just a nice crowd trying to get along.”

  • Dianaworld: An Obsession

    Dianaworld: An Obsession

    by Edward White

    Diana once snuck out in male drag to go to the Royal Vauxhall, a famous London gay bar, with Freddie Mercury.

  • Víkingur Ólafsson, piano

    Víkingur Ólafsson, piano

    Vivo Performing Arts (Symphony Hall)

    Víkingur Ólafsson takes a bow
  • “Isn’t that it, to be yourself and somehow, to belong?”

  • “I think there’s a real thirst for younger generations to have those kinds of spaces. I think as younger generations maybe look to gay restaurants or gay cafes as possible meeting places, I think that’s also going to bring up interest in the past when those kinds of places were everywhere, at least in gay neighborhoods and also in small towns and medium sized cities as well.”

  • Borromeo String Quartet

    Borromeo String Quartet

    Isabella Stewart Gardner Museum (Calderwood Hall)

    Borromeo String Quartet takes a bow
  • Stereophonic

    Stereophonic

    by David Adjmi / Music by Will Butler / Directed by Daniel Aukin (Emerson Colonial Theatre, Boston, MA)

    Curtain call at Stereophonic
  • “The thing about grief is it makes people very uncomfortable. In part because it reminds them of mortality.”

  • La jetée

    La jetée

    Directed by Chris Marker

    “Nothing tells memories from ordinary moments. Only afterwards do they claim remembrance on account of their scars.”

  • The Invention of Morel

    The Invention of Morel

    by Adolfo Bioy Casares

    “The habits of our lives makes us presume that things will happen in a certain foreseeable way, that there will be a vague coherence in the world.”

  • The City and the Pillar

    The City and the Pillar

    by Gore Vidal

    “Of course his dust would be absorbed in other living things and to that degree at least he would exist again, though it was plain enough that the specific combination which was he would never exist again.”

  • In Praise of Shadows

    In Praise of Shadows

    by Jun’ichirō Tanizaki

    “The quality that we call beauty, however, must always grow from the realities of life, and our ancestors, forced to live in dark rooms, presently came to discover beauty in shadows, ultimately to guide shadows towards beauty’s ends.”

  • The Novices of Lerna

    The Novices of Lerna

    by Ángel Bonomini

    “The path of the people is a backward path that goes forward, in a time that comes from the future and will end in the past, because the time of our countrymen more than path is time, and more than time is path.”

  • Persona: Photography and the Re-Imagined Self

    Persona: Photography and the Re-Imagined Self

    Isabella Stewart Gardner Museum (Boston, MA)

  • Any Person Is the Only Self

    Any Person Is the Only Self

    by Elisa Gabbert

    “Anything you do every day—that’s your life.”

  • Blue Moon

    Blue Moon

    Directed by Richard Linklater

    “What do you call a tireless, relentless homosexual? ‘Inde-faggot-ible.’”

  • Disneyland Handcrafted

    Disneyland Handcrafted

    Directed by Leslie Iwerks

    “Disneyland will never be completed. It will continue to grow as long as there is imagination left in the world.”

  • Bugonia

    Bugonia

    Directed by Yorgos Lanthimos

    “We need to send the message that we have a new culture here now. Where people should, of course, feel free to leave at 5:30 and be with their families. No one is going to be overworked like in the past. No more unpleasant incidents. But, of course, it’s not compulsory. And obviously, if people still have work to do, they should absolutely stay and continue to work. But it’s not strictly enforced. Although we still do want to meet quotas. So if we can do that, just remembering, you know, we are running a business here, so “let your conscience guide you” kind of thing. Yeah? Good.”