“The lioness has rejoined her cub, and all is right in the jungle.”
Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,399 items (and counting) proving that I read, I saw, and I actually paid attention.
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“Why am I in the rough draft of a car?”
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Curtain call at Black Swan -
“‘We are constantly contending with algorithms of all kinds,’ writes Kyle Chayka in his book Filterworld, ‘each one attempting to guess what we are thinking of, seeking and desiring.’”
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Curtain call at Swept Away -
“So how did the Japanese save American style? The Americans discarded style as it became unfashionable and moved on to new things. The Japanese collected, analysed and improved it, and sold it back.”
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“He have his goodness now. God forbid I take it from him!”
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Curtain call of William Forsythe’s Herman Schmerman -
“Cause when it comes down to other people’s opinions, don’t listen to Emmy of them!”
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The concessions menu provided more questions than answers -
“And the models were encouraged to mill around like starving goats in the parking lot of a methadone clinic in New Jersey?”
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Jennifer Tilly is the most perfect actor of our era.
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“Satisfy your mind by responding to your senses. We need to be actively conscious of them and not going about aimlessly in our daily lives.”
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“It’s very fluid, this space between philosophy and literature, and that’s something that resonates for me.”
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Rotunda display by Rafael Floral and Event Design 
Terra cotta vessel, Greek 
Gretchen Woodman Rogers, Woman in a Fur Hat, 1915 
Walker Hancock, Angel of the Resurrection, 1949-1952 
Edgar Degas, Little Dancer of Fourteen Years, 1880 -
Curtain call at Beauty and the Beast -
“In the West, frozen water is simply used to chill and dilute a drink; in Japan it is an active participant.”
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“…the writer and critic David Levi Strauss has observed: ‘One could say that the split within curating – between the management and control of public works (law) and the cure of souls (faith) – was there from the beginning. Curators have always been a curious mixture of bureaucrat and priest.’”
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Derrick Adams, Hood Rats, 2000
