Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,263 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Glass Onion

    Directed by Rian Johnson

    “It was supposed to be a tribute to BeyoncĂ©, but people did not take it that way.”

  • The Sleeping Car Porter

    by Suzette Mayr

    “Even when he stands still, he moves. Baxter flickers everywhere and nowhere. A blink in a shuddering train window.”

  • SIX

    Music, book, and lyrics by Toby Marlow and Lucy Moss / Directed by Lucy Moss and Jamie Armitage (Broadway in Boston)

    Curtain call at SIX
  • Tár

    Directed by Todd Field

    “I’m Petra’s father.”

  • SOLSTICE: Reflections on Winter Light

    MASARY Studios (Mount Auburn Cemetery)

    Projection mapping on the cemetery chapel
  • Paris to the Moon

    by Adam Gopnik

    “Paris, on the other hand, looked exactly as it was supposed to look. It wore its heart on its sleeve, and the strange thing was that the heart it wore so openly was in other ways so closed—mysterious, uninviting.”

  • BLAU International No. 7

    BLAU International (Rebecca Warren cover)

    “Staying true to my guru’s ‘keep up’ imperative and quite recently having become a yoga teacher myself, I continued to teach through the production period, having a crew of yogis doing body drops and chanting ‘Har’ in our office even the night before we went to print. Why, you could ask, is keeping up so important? If you keep up a daily practice, you will eventually start to align. If you are aligned, things start to happen. Not to you, but for you.”

  • Falling for Christmas

    Directed by Janeen Damian

    “What kind of crap forest doesn’t have a cell tower?”

  • Disenchanted

    Directed by Adam Shankman

    “Never fear. We will come up with something very smart at the very last minute that solves all our problems!”

  • The Fran Lebowitz Reader

    by Fran Lebowitz

    “All God’s children are not beautiful. Most of God’s children are, in fact, barely presentable.”

  • Marcel the Shell With Shoes On

    Directed by Dean Fleischer Camp

    “So it’s actually only two of us now. Myself and my grandmother, Nana Connie. We like to watch 60 Minutes because Lesley Stahl is fearless.”

  • The Orchard

    Conceived, adapted, and directed by Igor Golyak / Based on “The Cherry Orchard” by Anton Chekov (ArtsEmerson)

    Curtain call at The Orchard
  • Bros

    Directed by Nicholas Stoller

    “It’s this new hookup app my company is launching. We’ve got Grindr. We’ve got Tinder. This is Zellweger. It’s for gay guys who just want to talk about actresses, then go to bed.”

  • Kinky Boots

    Music and lyrics by Cyndi Lauper / Book by Harvey Fierstein / Based on “Kinky Boots” by Geoff Deane and Tim Firth / Directed and choreographed by Kevin P. Hill (North Shore Music Theatre)

    Curtain call at Kinky Boots
  • Hairspray

    Music by Marc Shaiman / Lyrics by Scott Wittman and Marc Shaiman / Book by Mark O’Donnell and Thomas Meehan / Based on “Hairspray” by John Waters / Directed by directed by Jack O’Brien (Broadway in Boston)

    Curtain call at Hairspray
  • Five Marble Leaves

    Now + There (Central Wharf Park)

    Claudia Comte, Five Marble Leaves, 2022
  • Happy Hour

    by Marlowe Granados

    “I realize now, the older you get, the harder it is to be impressed because people make you feel ashamed of ever being impressed by anything at all. I kept many glowing remarks to myself because of this.”

  • Kiki Man Ray: Art, Love, and Rivalry in 1920s Paris

    by Mark Braude

    “Kiki’s never sure if she’ll perform, until she does. Sometimes she’s not in the mood, says she’s too drunk. It’s different now that people come here to watch her, now that she stands in front instead of among them. They clang their cutlery and chant her name until she takes her place in the light and starts her slow-motion dance, no distance to lend her mystery, no stage to make her majestic, everyone sharing the same heat and smelling the same sweat.”

  • Into the Woods

    Music and lyrics by Stephen Sondheim / Book by James Lapine / Directed by Lear deBessonet (St. James Theatre)

    Curtain call at Into the Woods
  • A Strange Loop

    Book, music, and lyrics by Michael R. Jackson / Directed by Stephen Brackett (Lyceum Theatre)

    Curtain call at A Strange Loop