Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Mrs. Henderson Presents

    Mrs. Henderson Presents

    Directed by Stephen Frears

    “You obviously require a battle plan. My second husband, the general, always advocated attacking from the rear, which, although it did nothing to enhance our marriage, did bring him some success on the field.

  • A Room of Mirrors: Music by d’India, Marini, Frescobaldi, Calestani, and Gregori

    A Room of Mirrors: Music by d’India, Marini, Frescobaldi, Calestani, and Gregori

    Ensemble I Gemelli with Zachary Wilder (Boston Early Music Festival)

    The ensemble takes a bow
  • The Band’s Visit

    The Band’s Visit

    Music and lyrics by David Yazbek / Book by Itamar Moses / Based on “The Band’s Visit” by Eran Kolirin / Directed by Paul Daigneault (Speakeasy Stage Company and Huntington Theatre Company)

    Curtain call at The Band’s Visit
  • Hotel Splendide

    Hotel Splendide

    by Ludwig Bemelmans

    “It’s always wonderful when something altogether wrong ends right, without the help of either religion or the police.”

  • Titanic

    Titanic

    Book by Peter Stone / Music and lyrics by Maury Yeston (Fathom Events)

  • Elvis: A Musical Revolution

    Elvis: A Musical Revolution

    Written by Sean Cercone and David Abbinanti / Based on a concept by Floyd Mutrux / Featuring the music of Elvis / Directed and choreographed by Kevin P. Hill (North Shore Music Theatre, Beverly MA)

    Curtain call at Elvis: A Musical Revolution
  • The Woman in Me

    The Woman in Me

    by Britney Spears

    “In that moment, I made peace with my family—by which I mean that I realized I never wanted to see them again, and I was at peace with that.”

  • Troop Beverly Hills

    Troop Beverly Hills

    Directed by Jeff Kanew

    “It was a cold and rainy day in March. I went to Cristophe’s where I usually get my hair done, but Cristophe wasn’t there. He had mysteriously disappeared. In his place was a stranger named Rinaldo. I’ll never forget him. His eyes were steely gray. His hands were like ice. He said, ‘I’ll streak your hair and I’ll give you a body wave.’ He worked very fast and then, as he turned my chair around to face the mirror, I saw it. He permed me!”

  • Permanent collection

    Permanent collection

    The Broad (Los Angeles, CA)

    Julie Mehretu, Congress, 2003

  • Permanent collection

    Permanent collection

    The Museum of Contemporary Art, Los Angeles (Los Angeles, CA)

    Chris Burden, Transfixed, 1974
  • John Waters: Pope of Trash

    John Waters: Pope of Trash

    Academy Museum of Motion Pictures (Los Angeles, CA)

    Costume from Serial Mom
  • Urban Light

    Urban Light

    Los Angeles County Museum of Art

    Chris Burden, Urban Light, 2008
  • Disegno #36

    Disegno #36

    Disegno, the quarterly journal of design

    “Both the Parthenon and Cinderella Castle try to physicalise myths, a means of building legacy that manifests as a fairytale and influences our perspectives of reality. It’s rare to find these kinds of wild optical manipulations employed in contemporary buildings, but it’s all too easy to see a similar desire to push a narrative through colossal and eye-catching buildings.”

  • Inventing Isabella

    Inventing Isabella

    Isabella Stewart Gardner Museum (Boston, MA)

    Anders Zorn, Isabella Stewart Gardner in Venice, 1894
  • Here Lies Love

    Here Lies Love

    Music by David Byrne and Fatboy Slim / Lyrics by David Byrne / Based on “Here Lies Love” by David Byrne and Fatboy Slim / Directed by Alex Timbers (Broadway Theatre, New York City, NY)

    Curtain call at Here Lies Love
  • Here We Are

    Here We Are

    Music and lyrics by Stephen Sondheim / Book by David Ives / Based on “The Discreet Charm of the Bourgeoisie” by Luis Buñuel and Jean-Claude Carrière and “The Exterminating Angel” by Luis Buñuel and Luis Alcoriza / Directed by Joe Mantello (The Shed NYC)

    Curtain call at Here We Are
  • Merrily We Roll Along

    Merrily We Roll Along

    Music and lyrics by Stephen Sondheim / Book by George Furth / Based on “Merrily We Roll Along” by George S. Kaufman and Moss Hart / Directed by Maria Friedman (Hudson Theatre, New York City, NY)

    Curtain call at Merrily We Roll Along
  • The Full Monty

    The Full Monty

    Music and lyrics by David Yazbek / Book by Terrence McNally / Based on “The Full Monty” by Simon Beaufoy / Directed and choreographed by Gerry McIntyre (North Shore Music Theatre, Beverly MA)

    Curtain call at The Full Monty

  • POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive

    POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive

    by Selina Fillinger / Directed by Paula Plum (Speakeasy Stage Company)

    Curtain call at POTUS
  • Scandanavia Special

    Scandanavia Special

    Kinfolk Magazine

    “Tackiness may require unabashed love, but it also rewards those who get the references—and the current mood. As Karl Lagerfeld once proclaimed, ‘Trendy is the last stage before tacky.’ The tack-o-meter is constantly adjusting. It moves with the times, chewing up the past to recalibrate our present tastes.”