Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,399 items (and counting) proving that I read, I saw, and I actually paid attention.
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Curtain call at The Drowsy Chaperone -
View of the courtyard with nasturtiums in foreground -
“Most of life is so dull it is not worth discussing, and it is dull at all ages. When we change our brand of cigarette, move to a new neighborhood, subscribe to a different newspaper, fall in and out of love, we are protesting in ways both frivolous and deep against the not to be diluted dullness of day-to-day living.”
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Curtain call at Cost of Living -
“Growth is often associated with moving on. It’s a commonly posed question, for example, whether one should ever vacation in the same place twice. If travel broadens the mind, the argument goes, then a travel itinerary should be as broad as the horizon. There’s such a lot of the world to see: Why go back again?”
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The ensemble takes a bow -
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Arghavan Khosravi, Untitled, 2020 (right); The Pain, 2020 (right) -
McKim, Mead & White, Newport Casino, 1879 -
Richard Morris Hunt, The Breakers, 1893-1895 -
Curtain call at Pretty Woman -
The ensemble takes a bow -
Raqib Shaw, The Retrospective 2002–2022, 2015-2022 (background); Small Adam, 2011 (foreground) -
A Baroque duo performs -
Curtain call at A Case for the Existence of God -
“I may be Black. I may be poor. I may even be ugly. But I’m here!”
