Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,376 items (and counting) proving that I read, I saw, and I actually paid attention.
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Curtain call at Cost of Living -
“Growth is often associated with moving on. It’s a commonly posed question, for example, whether one should ever vacation in the same place twice. If travel broadens the mind, the argument goes, then a travel itinerary should be as broad as the horizon. There’s such a lot of the world to see: Why go back again?”
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The ensemble takes a bow -
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Arghavan Khosravi, Untitled, 2020 (right); The Pain, 2020 (right) -
McKim, Mead & White, Newport Casino, 1879 -
Richard Morris Hunt, The Breakers, 1893-1895 -
Curtain call at Pretty Woman -
The ensemble takes a bow -
Raqib Shaw, The Retrospective 2002–2022, 2015-2022 (background); Small Adam, 2011 (foreground) -
A Baroque duo performs -
Curtain call at A Case for the Existence of God -
“I may be Black. I may be poor. I may even be ugly. But I’m here!”
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Bruce Yonemoto and Norman Yonemoto, Environmental, 1993 -
A view from our seats -
“There’s nothing new in human experience, Mr. Tully. Each generation thinks it invented debauchery or suffering or rebellion, but man’s every impulse and appetite from the disgusting to the sublime is on display right here all around you. So, before you dismiss something as boring or irrelevant, remember, if you truly want to understand the present or yourself, you must begin in the past. You see, history is not simply the study of the past. It is an explanation of the present.”
