Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.

  • ACRONYM with Reginald Mobley, countertenor

    ACRONYM with Reginald Mobley, countertenor

    Isabella Stewart Gardner Museum (Calderwood Hall)

    The ensemble takes a bow
  • Something Rotten!

    Something Rotten!

    Book by John O’Farrell and Karey Kirkpatrick / Music and lyrics by Karey and Wayne Kirkpatrick / Directed by Toni Ruscio (Curtain Call Theatre)

    Curtain call at Something Rotten!
  • Mayhem

    Mayhem

    by Lady Gaga

  • Art as Therapy

    Art as Therapy

    by Alain de Botton and John Armstrong

    “Curiosity takes ignorance seriously, and is confident enough to admit when it does not know. It is aware of not knowing, and it sets out to do something about it”

  • The Big Dinner

    The Big Dinner

    Hosted by Big Jahnelle and Big Atlas (Dorchester Brewing Company)

    Lilly Rose Valore strikes a pose
  • Waters of the Abyss: An Intersection of Spirit and Freedom

    Waters of the Abyss: An Intersection of Spirit and Freedom

    Fabiola Jean-Louis / Isabella Stewart Gardner Museum (Boston, MA)

    Installation view, Waters of the Abyss
  • Yarn/Wire with Nicoletta Berry, soprano

    Yarn/Wire with Nicoletta Berry, soprano

    Isabella Stewart Gardner Museum (Calderwood Hall)

    The ensemble takes a bow
  • Gypsy

    Gypsy

    Book by Arthur Laurents / Music by Jule Styne / Lyrics by Stephen Sondheim / Based on the life of Gypsy Rose Lee / Directed by George C. Wolfe (Majestic Theatre, New York City, NY)

    Curtain call at Gypsy
  • The Velvet Party 2025

    The Velvet Party 2025

    Isabella Stewart Gardner Museum

    My outfit for The Velvet Party with my C’est mon plaisir pocket square
  • “Men, she suggested, should stop looking at clothes as signifiers of gender and class and just enjoy them.”

  • The Big Dinner

    The Big Dinner

    Hosted by Big Jahnelle and Big Atlas (Dorchester Brewing Company)

    Patty Bourée defies gravity
  • Ain’t No Mo’

    Ain’t No Mo’

    by Jordan E. Cooper / Directed by Dawn M. Simmons (Speakeasy Stage Company)

    “Do you know what they get to keep if you stay here? You want them to have all the height and all the power? You just gonna let them have Billie’s flower? If they get that, then they get Ella’s scat, they get Pac’s rap, they get Oprah’s wagon of fat…. and I’ll be damned if I leave and they get to keep Whitney off crack!”

  • Conclave

    Conclave

    Directed by Edward Berger

    “I am what God made me. And perhaps it is my difference that will make me more useful.”

  • Maria

    Maria

    Directed by Pablo Larraín

    “Book me a table at a café where the waiters know who I am. I’m in the mood for adulation.”

  • Holiday Pops with Lea Salonga

    Holiday Pops with Lea Salonga

    Boston Pops (Symphony Hall)

    Lea Salonga sings with the Boston Pops
  • Our Little Secret

    Our Little Secret

    Directed by Stephen Herek

    “Feels like being wrapped in kittens.”

  • The Last Supper: A Summer in Italy

    The Last Supper: A Summer in Italy

    by Rachel Cusk

    “It strikes me that the glory of art is the glory of survival, for survival is an inhuman property. It is an attribute of mountains and objects, of the worthless toys in the children’s bedroom at home that will outlive us all. That which is human decays and disappears, only in art does the quality of humanity favor survival. Only in art is a record kept of an instant, that the next instant does not erase.”

  • The Party Issue

    The Party Issue

    Kinfolk Magazine

    “Today there are increasingly fewer mysteries in our scientific, overdocumented world. So—with even shimmering monoliths now humdrum—where can we turn to find the mystery in our lives? Perhaps the best place to start is the landscape in which they appear. Touch the earth, observe the clouds, consider the extraordinary statistical unlikeliness of evolution and chance which has led you to this exact moment, on a planet spinning at 1,000 miles an hour in a mostly uncharted universe. It makes you wonder, at least.”

  • Paris in Ruins: Love, War, and the Birth of Impressionism

    Paris in Ruins: Love, War, and the Birth of Impressionism

    A Conversation with Sebastian Smee and Diana Seave Greenwald (Isabella Stewart Gardner Museum)

    Sebastian Smee and Diana Seave Greenwald discuss a painting
  • French Exit

    French Exit

    Directed by Azazel Jacobs

    “I told Don I had to run to Paris because I thought you might kill yourself. He was fiddling with the remote. He told me, ‘Tell her hello, if you get there in time.’”