Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,263 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Tootsie

    Music and lyrics by David Yazbek / Book by Robert Horn / Based on “Tootsie” by Larry Gelbart, Murray Schisgal, and Don McGuire / Directed and choreographed by Richard J. Hinds (North Shore Music Theatre)

    Curtain call at Tootsie

  • Statue of Liberty Sandpoint

    Lake Pend Oreille, Sandpoint, ID

    Posing with Lady Liberty

  • Paris

    by Julian Green

    “Sometimes we do things, without thinking, that make no sense to us until much later, and yet appear to have been prompted by the most alert part of our being.”

  • MaXXXine

    Directed by Ti West

    “Say it with me now… I will not accept a life I do not deserve!”

  • The Queen of Versailles

    Music by Stephen Schwartz / Book by Lindsey Ferrentino / Based on “The Queen of Versailles” by Lauren Greenfield / Directed by Michael Arden (Emerson Colonial Theatre)

    Curtain call at The Queen of Versailles

  • I Am a Camera

    by John van Druten / Based on “The Berlin Stories” by Christopher Isherwood

    “I am a camera, with its shutter open, quite passive. Some day all of this will have to be will have to be developed, carefully printed, fixed.”

  • The Stranger

    by Albert Camus (translated by Matthew Ward)

    “One always has exaggerated ideas about what one doesn’t know.”

  • The Queen of Versailles

    Music by Stephen Schwartz / Book by Lindsey Ferrentino / Based on “The Queen of Versailles” by Lauren Greenfield / Directed by Michael Arden (Emerson Colonial Theatre)

    Curtain call at The Queen of Versailles

  • A Little Night Music

    Music by Stephen Sondheim / Book by Hugh Wheeler / Based on “Smiles of a Summer Night” by Ingmar Bergman / Directed by Hunter Foster (Ogunquit Playhouse)

    Curtain call at A Little Night Music

  • Chasing Beauty: The Life of Isabella Stewart Gardner

    by Natalie Dykstra

    “Our faith might cause our light to shine on some other heart which as yet had no light of its own.”

  • Faye

    Directed by Laurent Bouzereau

    “Can we shoot? We need to shoot. I’m here now. C’mon. I really would like to shoot.”

  • Frozen

    Music and lyrics by Kristen Anderson-Lopez and Robert Lopez / Book by Jennifer Lee / Based on “Frozen” by Chris Buck Jennifer Lee, and Shane Morris / Directed by Kevin P. Hill (North Shore Music Theatre)

    Curtain call at Frozen

  • Oh, Mary!

    by Cole Escola / Directed by Sam Pinkleton (Lyceum Theatre)

    Curtain call at Oh, Mary!

  • La Cage aux Folles

    Music and lyrics by Jerry Herman / Book by Harvey Fierstein / Based on “La Cage aux Folles” by Jean Poiret / Directed by Mike Donahue (Barrington Stage Company)

    Curtain call at La Cage aux Folles

  • Maurice

    by E.M. Forster

    “You confuse what’s important with what’s impressive.”

  • Dune: Part Two

    Directed by Denis Villeneuve

    “If you drink, you will die. If you drink, you may see.”

  • I Am: Celine Dion

    Directed by Irene Taylor

    “It’s not hard to do a show; it’s hard to cancel a show.”

  • Pearl

    Directed by Ti West

    “NO! I’M A STAR!”

  • The Influence Issue

    Kinfolk Magazine

    “This is how to remember a moment: You write it down as soon as it is over. Spare no detail—the weather, the color of the walls, every single thing that’s said (you will not accurately recall every single thing that’s spoken: Record all conversations you have). It would be quicker to photograph the moment, of course. It would be easier, less emotionally taxing. But writing it all down, as much as you can bear, reminds you, in the way a photograph can’t, that you were there inside the experience, trying to make some meaning out of it.”

  • BLAU International No. 10

    BLAU International (Rogier van der Weyden cover)

    “Back at the office that night before we went to print, I taught a little something called nabhi kriya. As the class broke down at the end, sinking into savasana, I contemplated these different paths to the perfect BLAU story. As long as you put the work in, it really doesn’t matter if it’s your navel or your arcline doing the job.”