Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,390 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

LGBTQIA+

🌈🌈🌈🌈🌈🌈🌈🌈

  • Maddie’s Secret

    Maddie’s Secret

    Directed by John Early

    “I swear to God, Maddie, it’s like you’re out of some modern-day fairy tale.”

  • The Future Was Color

    The Future Was Color

    by Patrick Nathan

    “Is any of this real? Could this possibly be the truth? Did such a day, I had to ask, really happen? Of course it did, George said. As inculcated, he began (in his accent it was a word that brought me great pleasure)—as inculcated as we are in the belief that we’re meant for some great purpose, that tomorrow, he said, we’ll live as the wealthy live, we are in truth conditioned to expect very little of our lives. It feels closed off to us to enjoy life. Yet we all have such days—at least once, but as often as not peppered throughout a life. These are the days we would see before we die, if it turns out to be true that we see anything at all.”

  • Giovanni’s Room

    Giovanni’s Room

    by James Baldwin

    Ça ne manque pas, les chambres. The world is full of rooms— big rooms, little rooms, round rooms, square ones, rooms high up, rooms low down—all kinds of rooms! What kind of room do you think Giovanni should be living in? How long do you think it took me to find the room I have? And since when, since when”—he stopped and beat with his forefinger on my chest—“have you so hated the room? Since when? Since yesterday, since always? Dis-moi.”

  • Cats: The Jellicle Ball

    Cats: The Jellicle Ball

    Music by Andrew Lloyd Webber / Based on “Old Possum’s Book of Practical Cats” by T.S. Eliot / Directed by Zhailon Levingston and Bill Rauch (Broadhurst Theatre, New York City, NY)

    Curtain call at Cats: The Jellicle Ball
  • My Lover, the Rabbi

    My Lover, the Rabbi

    By Wayne Koestenbaum

    “The rabbi, my lover, is back from Warsaw, so my concentration and self-esteem are destroyed. I wrote mythological poems in ninth grade, and the myth my lover resembles is Orpheus—not that I revere Orpheus, I think Orpheus was a failure and a turncoat, I prefer Abraham for being a semi-literalist about God’s commands. The real heartthrob is Isaac, who, if he were alive now and living in Hoboken or in this tiny town near Hoboken, a town I am devastated to admit is my permanent address, would wear studious gold-framed glasses and would have an unfashionable halo of disordered and frizzy curls; he would play the oboe and be constantly licking and biting and polishing his reeds; and he would treat me disrespectfully.”

  • Leading Lady: A Memoir of a Most Unusual Boy

    Leading Lady: A Memoir of a Most Unusual Boy

    by Charles Busch

    “Fortunately, I did still say yes to some terrific opportunities, such as the chance to play the title role in a summer stock tour of Auntie Mame. To be on the safe side, at my cardiology checkup, I asked Dr. Erica Jones if she thought I had the endurance to undertake the physically demanding role of Mame. Not in the least showbiz savvy, she leaned in with a concerned look. ‘Will you be lifting anything heavy?’ To which I replied, ‘Well, I’ll be carrying the plot.’”

  • Big Mistakes: Season 1

    Big Mistakes: Season 1

    Created by Dan Levy and Rachel Sennott

    “I should have never weaponized you with an education.”

  • When Playwrights Kill

    When Playwrights Kill

    by Matthew Lombardo / Directed by Noah Himmelstein (Huntington Theatre)

    Curtain call at When Playwrights Kill
  • It’s Dorothy!

    It’s Dorothy!

    Directed by Jeffrey McHale

    “If I ever go looking for my heart’s desire again, I won’t look any further than my own back yard.”

  • The Mayhem Ball

    The Mayhem Ball

    Lady Gaga (TD Garden)

    Lady Gaga performs “How Bad Do U Want Me”
  • Cats: The Jellicle Ball

    Cats: The Jellicle Ball

    Music by Andrew Lloyd Webber / Based on “Old Possum’s Book of Practical Cats” by T.S. Eliot / Directed by Zhailon Levingston and Bill Rauch (Broadhurst Theatre, New York City, NY)

    Curtain call at Cats: The Jellicle Ball
  • “Isn’t that it, to be yourself and somehow, to belong?”

  • “I think there’s a real thirst for younger generations to have those kinds of spaces. I think as younger generations maybe look to gay restaurants or gay cafes as possible meeting places, I think that’s also going to bring up interest in the past when those kinds of places were everywhere, at least in gay neighborhoods and also in small towns and medium sized cities as well.”

  • The City and the Pillar

    The City and the Pillar

    by Gore Vidal

    “Of course his dust would be absorbed in other living things and to that degree at least he would exist again, though it was plain enough that the specific combination which was he would never exist again.”

  • Fun Home

    Fun Home

    Book and lyrics by Lisa Kron / Music by Jeanine Tesori / Based on Alison Bechdel’s graphic memoir / Directed by Logan Ellis (Huntington Theater Company)

    Curtain call at Fun Home

  • Lions and Shadows: An Education in the Twenties

    Lions and Shadows: An Education in the Twenties

    by Christopher Isherwood

    “And so, finding that, for once, I was not sorry to be alone, I said to myself: I am happy. Perfectly happy, I repeated, as my eyes roamed wide over the brilliant desolate sea and the empty contours of the land. Were they, after all, searching for something that was lacking? I hardly knew.”

  • Our Evenings

    Our Evenings

    by Alan Hollinghurst

    “Sometimes it is the evidence, the spectacle of another person’s grief that harrows you, more than the loss itself.”

  • I’m Your Venus

    I’m Your Venus

    Directed by Kimberly Reed

    “I would like to be a spoiled rich white girl. They get what they want, whenever they want it. They don’t have to really struggle with finances, nice things, nice clothes, and they don’t have to have that as a problem.”

  • Blue

    Blue

    by Derek Jarman

    “For Blue there are no boundaries or solutions.”

  • “It’s just a real gentle moment. I’m here by myself and I don’t mind. I kind of wish it could just stay like this for maybe a few years, or I just never moved out of this spot. I could just watch the light stay like this. And maybe somebody coming along and just putting their arms around me for a few minutes.”