Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

LGBTQIA+

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  • Ain’t No Mo’

    by Jordan E. Cooper / Directed by Dawn M. Simmons (Speakeasy Stage Company)

    “Do you know what they get to keep if you stay here? You want them to have all the height and all the power? You just gonna let them have Billie’s flower? If they get that, then they get Ella’s scat, they get Pac’s rap, they get Oprah’s wagon of fat…. and I’ll be damned if I leave and they get to keep Whitney off crack!”

  • The Big Dinner

    Hosted by Big Jahnelle and Big Atlas (Dorchester Brewing Company)

    DJ Maxine opens the night
  • Tootsie

    Music and lyrics by David Yazbek / Book by Robert Horn / Based on “Tootsie” by Larry Gelbart, Murray Schisgal, and Don McGuire / Directed and choreographed by Richard J. Hinds (North Shore Music Theatre)

    Curtain call at Tootsie

  • La Cage aux Folles

    Music and lyrics by Jerry Herman / Book by Harvey Fierstein / Based on “La Cage aux Folles” by Jean Poiret / Directed by Mike Donahue (Barrington Stage Company)

    Curtain call at La Cage aux Folles
  • Maurice

    by E.M. Forster

    “You confuse what’s important with what’s impressive.”

  • On Christopher Street: Transgender Portraits by Mark Seliger

    Isabella Stewart Gardner Museum

    Installation view, On Christopher Street
  • A Strange Loop

    Book, music, and lyrics by Michael R. Jackson / Directed by Maurice Emmanuel Parent (Speakeasy Stage Company)

    Curtain call at A Strange Loop
  • A Single Man

    by Christopher Isherwood

    “But now isn’t simply now. Now is also a cold reminder: one whole day later than yesterday, one year later than last year. Every now is labeled with its date, rendering all past nows obsolete, until—later of sooner—perhaps—no, not perhaps—quite certainly: it will come.”

  • Insult and the Making of the Gay Self

    by Didier Eribon (translated by Michael Lucey)

    “There is a kind of energy born out of shame, formed by and in it, that can act as a force for transformation. This energy finds its expression in a theatricalized identity, in performance, in a love of display or extravagance, in parody. Self-display and theatricality are and have been among the most important means of defying heteronormative hegemony—and this is why they have always been the objects of such virulent attacks.”

  • John Waters: Pope of Trash

    Academy Museum of Motion Pictures

    Costume from Serial Mom
  • Theater Camp

    Directed by Molly Gordon and Nick Lieberman

    “Can I offer you a roll? Or the chilling tale of how I lost my daughter?”

  • A New Brain

    Music and lyrics by William Finn / Book by William Finn and James Lapine / Directed by Joe Calarco (Barrington Stage Company)

    Curtain call at A New Brain
  • Jinkx Monsoon: Everything at Stake

    Shubert Theatre

    Jinkx Monsoon performs with her band
  • “…this idea of how we can individually and collectively reenact or instead metabolize and recover from trauma in our bodies is most intriguing. How being a trans woman successfully walking body after your transition, finally being heralded for your femininity by your peers after being physically threatened, endangered, and brutalized by the outside world for not blending in might just be a type of bodily recovery from a lifetime of such trauma.”

  • The Prom

    Music by Matthew Sklar / Lyrics by Chad Beguelin / Book by Bob Martin and Chad Beguelin / Based on an original concept by Jack Viertel / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at The Prom
  • Memorial to Homosexuals Persecuted Under Nazism

    by Michael Elmgreen and Ingar Dragset

  • The Sleeping Car Porter

    by Suzette Mayr

    “Even when he stands still, he moves. Baxter flickers everywhere and nowhere. A blink in a shuddering train window.”

  • Bros

    Directed by Nicholas Stoller

    “It’s this new hookup app my company is launching. We’ve got Grindr. We’ve got Tinder. This is Zellweger. It’s for gay guys who just want to talk about actresses, then go to bed.”

  • Kinky Boots

    Music and lyrics by Cyndi Lauper / Book by Harvey Fierstein / Based on “Kinky Boots” by Geoff Deane and Tim Firth / Directed and choreographed by Kevin P. Hill (North Shore Music Theatre)

    Curtain call at Kinky Boots
  • Hairspray

    Music by Marc Shaiman / Lyrics by Scott Wittman and Marc Shaiman / Book by Mark O’Donnell and Thomas Meehan / Based on “Hairspray” by John Waters / Directed by directed by Jack O’Brien (Broadway in Boston)

    Curtain call at Hairspray