Kyle Thomas Hemingway: The ephemera edit

“But it is perhaps Andrew Berman’s understated contribution that is the highlight: a mysterious prism clad in white polycarbonate, the interior painted black, with only a small opening letting through a little light, but otherwise leaving the visitor in the dark. It creates a kind of confrontation with the self, an idea with a long religious tradition, and Monsignor Tighe explains that the chapels aim to induce transcendence as a way to create a shared experience for the faithful and non-believers alike. ‘Beauty and art, at their best, have the capacity to invite people to go in a little deeper, to break with what Cardinal Ravasi calls the scourge of superficiality,’ he says. ‘It creates a space for reflection, for silence, to get in touch with what’s happening in their own heart and we would believe that allows the person to be in contact with God, whether he or she believes in God.’”