Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,263 items (and counting) proving that I read, I saw, and I actually paid attention.

  • If You Don’t Like It, You Can Leave

    by Julian Velard

  • Andreas Scholl: Desiring Beauty

    with Victor Coelho on lute, David Dolata on theorbo, and Laura Jeppesen on viola da gamba (Old South Church)

    The ensemble takes a bow

  • Handel’s Giulio Cesare

    Boston Baroque / Directed by Mary Birnbaum (NEC’s Jordan Hall)

    Curtain call at Giulio Cesare

  • Titanic

    Book by Peter Stone / Music and lyrics by Maury Yeston / Directed by Scott LaFeber (Emerson Stage)

    Maury Yeston accepts an award ahead of the performance

  • Der Zwerg

    Music by Alexander von Zemlinsky / Libretto by Georg C. Klaren (Odyssey Opera)

    The ensembele takes a bow

  • The King and I

    Music by Richard Rodgers / Book and lyrics by Oscar Hammerstein II / Based on “Anna and the King of Siam” by Margaret Landon / Directed by Bartlett Sher (Broadway in Boston)

    Curtain call at The King and I

  • Rent

    Music, lyrics, and book by Jonathan Larson / Based on “La bohème” by Giacomo Puccini, Luigi Illica, and Giuseppe Giacosa / Directed by Evan Ensign based on original direction by Michael Greif (Shubert Theatre)

    Curtain call at Rent

  • Jazz at Lincoln Center Orchestra with Wynton Marsalis

    Celebrity Series of Boston (Symphony Hall)

    The ensemble takes a bow

  • The Who & the What

    by Ayad Akhtar / Directed by M. Bevin O’Gara (Huntington Theatre Company)

    Curtain call at The Who & the What

  • The Illusionists: Live from Broadway

    Directed by Neil Dorward (Broadway in Boston)

    Curtain call at The Illusionists

  • The Merry Wives of Windsor

    Music by Otto Nicolai / Libretto by Salomon Hermann Mosenthal / Based on “The Merry Wives of Windsor” by William Shakespeare (The Boston Conservatory)

    Curtain call at The Merry Wives of Windsor

  • Listen Hear: The Art of Sound

    Isabella Stewart Gardner Museum

    Philip Beesley, Sentient Veil, 2017

  • Topdog/Underdog

    by Suzan-Lori Parks / Directed by Billy Porter (Huntington Theatre Company)

    Curtain call at Topdog/Underdog

  • The Curious Incident of the Dog in the Night-Time

    by Simon Stephens / Based on the novel by Mark Haddon / Directed by Marianne Elliott (Broadway in Boston)

    Curtain call at The Curious Incident of the Dog in the Night-Time

  • Grand Concourse

    by Melinda Lopez / Directed by Bridget Kathleen O’Leary (Speakeasy Stage Company)

    Curtain call at Grand Concourse

  • Know No

    Masary Studios (Cyclorama at the Boston Center for the Arts)

    Maria Finkelmeier performs

  • Emily Marvosh in recital

    Goethe-Institut Boston

  • Benjamin, Berlioz, Ravel

    Boston Symphony Orchestra with Bejun Mehta and Lorelei Ensemble

    Mehta and Lorelei Ensemble take a bow

  • Who’s Afraid of Virginia Woolf

    by Edward Albee / Directed by Scott Edmiston (Lyric Stage Company of Boston)

    Curtain call at Who’s Afraid of Virginia Woolf

  • Cabaret

    Music by John Kander / Lyrics by Fred Ebb / Book by Joe Masteroff / Based on “I Am a Camera” by John Van Druten and “Goodbye to Berlin” by Christopher Isherwood / Directed by B.T. McNicholl, based on the direction of Sam Mendes (Broadway in Boston)

    Curtain call at Cabaret