Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,262 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder / Directed by Mark Streshinsky (Boston Baroque at NEC’s Jordan Hall)

    Curtain call at The Magic Flute

  • Megacities Asia

    Museum of Fine Arts, Boston

    Hema Upadhyay, 8′ x 12′, 2009

  • Bootycandy

    by Robert O’Hara / Directed by Summer L. Williams (Speakeasy Stage Company)

  • Can You Forgive Her?

    by Gina Gionfriddo / Directed by Peter DuBois (Huntington Theatre Company)

  • Musée de l’Orangerie

    Paris, Île-de-France

    Claude Monet, Water Lilies Cycle, 1918

  • Musée Rodin

    Paris, Île-de-France

    Camille Claudel, The Waltz, 1893

  • Passion

    Music and lyrics by Stephen Sondheim / Book by James Lapine / Based on “Passione d’Amore” by Ruggero Maccari and Ettore Scola and “Fosca” by Iginio Ugo Tarchetti / Directed by Fanny Ardant (Théâtre du Châtelet)

    Curtain call at Passion

  • Musée Carnavalet

    Paris, Île-de-France

    Albert Guillaume, Les retardataires, 1914

  • Double Je

    Artisans d’art et artistes d’après une nouvelle de Franck Thilliez (Palais de Tokyo)

    Installation view, Double Je

  • Alvin Ailey American Dance Theater

    Celebrity Series of Boston (Wang Theatre)

    The ensemble takes its bow

  • Bach St John Passion

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow

  • The Adrenaline Issue

    Kinfolk Magazine

    “It’s easy for us to get too comfortable in the routines we’ve carved out for ourselves, but there’s immense value in prioritizing our self-improvement and challenging our minds and bodies to look beyond our perceived limits. By pushing our physical and mental faculties to the extreme, we can break through to a new level of what’s possible. So the next time life knocks us off-kilter, we’ll be able to right ourselves twice as quickly.”

  • Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther

  • An Evening with Kelli O’Hara

    Celebrity Series of Boston (Sanders Theatre)

    The ensemble takes a bow

  • Everything Is Dada

    Yale University Art Gallery

    The entrance to the exhibition

  • Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow

  • Dvořák, Tsontakis, and Strauss

    Boston Symphony Orchestra

    Robert Sheena, english horn, takes a well-deserved bow

  • Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    TAG: A Table for Artists to Gather (Goethe-Institut Boston)

    Alma and Gustav Mahler share a laugh

  • Milk Like Sugar

    by Kirsten Greenidge / Directed by M. Bevin O’Gara (Huntington Theatre Company)

  • All Haydn

    Handel and Haydn Society (Symphony Hall)

    Aisslinn Nosky takes a well-deserved bow