Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Icon Hunter: A Refugee’s Quest to Repatriate Her Stolen Cultural Heritage

    The Icon Hunter: A Refugee’s Quest to Repatriate Her Stolen Cultural Heritage

    by Tasoula Georgiou Hadjitofi with Kathy Barrett

    “Never lose faith in humanity.”

  • North by Northwest

    North by Northwest

    Directed by Alfred Hitchcock

    “Now you listen to me, I’m an advertising man, not a red herring. I’ve got a job, a secretary, a mother, two ex-wives and several bartenders dependent me, and I don’t intend to disappoint them all by getting myself ‘slightly’ killed.”

  • “Levy’s defense is that most people are looking at The Real Housewives as a linear text, like a movie, television show, or a novel. Scholars analyze the shows individually and in a self-contained manner, reading them from start to finish. Anyone with a DVR clogged full of Bravo content knows that this is not the way that the shows are aired or how they are consumed by most people. There is always more than one franchise of The Real Housewives on at any given time, sometimes more than one on the same night. That means the shows shouldn’t be seen as a straight line but as a matrix, where one show can correct the bad impressions made by the others.”

  • The Future of the Museum: 28 Dialogues

    The Future of the Museum: 28 Dialogues

    Edited by András Szántó

    “The museum is a healing agent. It allows people to understand their past and present and to imagine their future”

  • In the Heights

    In the Heights

    Directed by John M. Chu

    “We had to assert our dignity in small ways. That’s why these napkins are beautiful. That’s why my mother’s gloves were beautiful. Little details that tell the world, we are not invisible.”

  • The 10th Anniversary Issue

    The 10th Anniversary Issue

    Kinfolk Magazine

    “Dance is associated with the emotional pinnacles of the human experience—love, joy, lust, art, insanity. Watching someone dance, or doing it ourselves, inspires emotions we struggle to access otherwise. This complicated relationship between movement and feeling is part of what makes us human. It makes sense, then, that artists and researchers working with robotics view the creation of a dancing robot as a meaningful tech frontier: How better to prove the skillful yet fundamentally unthreatening potential of humanoids than getting them to do the Mashed Potato?”

  • Drag ’N Drive Saves 2021

    Drag ’N Drive Saves 2021

    Wrentham Village Premium Outlets Parking Lot

    Patrick wins a prize and a hug from Gottmik
  • Polarity

    Polarity

    Fort Point Arts Community

    Zy Baer, Polarity, 2021
  • “If you cannot walk more than a block in your shoes, they are not shoes; they are pretty sculptures that you happen to have attached to your feet. You could hang them from your wrists for all the good they are doing you in terms of locomotion. Better to put them on a shelf and admire them from afar.”

  • Disegno #29

    Disegno #29

    Disegno, the quarterly journal of design

    “While some art forms seem well suited to be experienced in a digital format, furniture is a more challenging proposition—to state the obvious, its key function is to be physically used. The chairs we sit on, the desks we work at, the cupboards we store things in, the lamps we read by: while this transactional relationship is far from the only function furniture fulfils, it is the most common, even when furniture is sold at high prices at auction or via design galleries. Even Marc Newson’s Lockheed Lounge (the current record holder for the most expensive furniture object sold by a living designer at £2.4m) can be used for reclining—however tentatively one might choose to do so.”

  • Suspicious Minds: How Culture Shapes Madness

    Suspicious Minds: How Culture Shapes Madness

    by Joel Gold and Ian Gold

    “Which of the myriad irrational beliefs that people have are delusional? In our view, this is the most important ignored question in the study of delusion.”

  • Permanent collection

    Permanent collection

    The Clark Art Institute (Williamstown, MA)

    Thomas Schütte, Crystal, 2015 (interior view)
  • Writing the Future: Basquiat and the Hip-Hop Generation

    Writing the Future: Basquiat and the Hip-Hop Generation

    Museum of Fine Arts, Boston (Boston, MA)

    Jean-Michel Basquiat, Untitled, 1983
  • “The beauty of realization is a beauty that always takes more time to show itself as beauty than pure beauty does…it is only beauty when the things that follow it are created in its image.”

  • “The epithet was quickly moving toward capitalized status: the Lost Generation. In subsequent generations, similar umbrella identities would be ascribed to each era’s under-thirty crowd: the Beat Generation, Generation X, the Millennials, and so on. But the Lost Generation was the forerunner of modern youthful angst banners, and The Sun Also Rises was its bible.”

  • Disegno #28

    Disegno #28

    Disegno, the quarterly journal of design

    “The staples of the fashion industry have not been immune. The fashion show, the launch and the press trip: all have been cancelled or reconsidered, like so many other events.”

  • “What do you hope to acquire when you bid at a prestigious evening auction at Sotheby’s? A bundle of things: a painting of course, but hopefully also a new dimension to how people see you. As Robert Lacey described it in his book about Sotheby’s, you are bidding for class, for a validation of your taste.”

  • “When the Marchese de Caracciolo wrote to the King of Naples that in England he had discovered a country of ‘22 religions and two sauces,’ these were not words of praise.”

  • The Youth Issue

    The Youth Issue

    Kinfolk Magazine

    “Learning to take responsibility is an essential part of growing up, no matter who you are, and how we respond when we’re confronted with our past misdeeds (including our digital ghosts) is a show of character. So apologizing, while uncomfortable and embarrassing, is never a bad thing, not really. What matters most is how we proceed going forward.”

  • Seven Days in the Art World

    Seven Days in the Art World

    by Sarah Thornton

    “I’m an atheist, but I believe in art. I go to galleries like my mother went to church. It helps me understand the way I live.”