Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Chromatica

    Chromatica

    by Lady Gaga

  • Cole Porter: A Biography

    Cole Porter: A Biography

    by Charles Schwartz

    “Cole discovered that candy vendors sold more than sweets. They were also the purveyors of those spicy, naughty books that have always been the forbidden fruit of young people. Cole soon made a point of stocking up on these books.”

  • A Streetcar Named Desire

    A Streetcar Named Desire

    by Tennessee Williams / Directed by Benedict Andrews (National Theatre At Home)

    “I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action.”

  • “In the way he dressed, fancy-dress parties and leopard-skin togas aside, Rex was markedly and increasingly conservative in comparison to his dandyish friends. Stephen might sprinkle his hair with gold dust, rouge his cheeks, smear Vaseline on his eyelids, paint his lips, don earrings and mist himself with scents from Worth and Molyneux, but for the most part (despite his brief flirtation with plus fours) Rex dressed ‘unostentatiously’ in corduroy trousers or well-cut suits.”

  • Music, Martinis, and Memories

    Music, Martinis, and Memories

    by Jackie Gleason and his Orchestra

  • “The gleaming low white villa was set into the rocks behind it, as though it belonged there, and guests who glanced out of the windows or stepped onto the private balcony of their bedroom would get the impression that it was almost hanging over the blue sea. The swimming pool, considered the best on the Riviera, was housed in a basin blasted out of the rocks and featured a water-chute so that bathers could slide down into the sea below and swim to a raft tethered just offshore. The huge terrace between the house and the pool was the center for most of the entertainment, and at each end a curved stone staircase descended to the pool.”

  • A Handful of Dust

    A Handful of Dust

    by Evelyn Waugh

    “It would be a dull world if we all thought alike.”

  • “This is a characteristic image from the Bright Young People’s world: the thought of sorrowing in sunlight, good times gone, the myriad champagne corks bobbing away on a stream turned unexpectedly chill.”

  • Funny Face

    Funny Face

    Directed by Stanley Donen

    “Duval, please! I can’t hear myself think, and I’m trying to think in French!”

  • The Children

    The Children

    by Lucy Kirkwood / Directed by Bryn Boice (Speakeasy Stage Company)

    Curtain call at The Children
  • Fiddler on the Roof

    Fiddler on the Roof

    Music by Jerry Bock / Lyrics by Sheldon Harnick / Book by Joseph Stein / Based on “Tevye the Dairyman” by Sholem Aleichem / Directed by Bartlett Sher (Broadway in Boston, Boston, MA)

    “A bird may love a fish but where would they build a home together?”

  • Plaza Suite

    Plaza Suite

    by Neil Simon / Directed by John Benjamin Hickey (Emerson Colonial Theatre, Boston, MA)

    Curtain call at Plaza Suite
  • “I figured the only way to make people love me was to be a million laughs.”

  • The Inheritance, Parts 1 and 2

    The Inheritance, Parts 1 and 2

    by Matthew López / Inspired by “Howards End” by E. M. Forster / Directed by Stephen Daldry (Ethel Barrymore Theatre, New York City, NY)

    Curtain call at The Inheritance, Part 2
  • Chicago

    Chicago

    Music by John Kander / Lyrics by Fred Ebb / Book by Fred Ebb and Bob Fosse / Based on “Chicago” by Maurine Dallas Watkins / Directed by Walter Bobbie (Ambassador Theatre, New York City, NY)

    Curtain call at Chicago
  • The Brass Menagerie

    The Brass Menagerie

    by Amy Jo Jackson (Duplex Cabaret)

    Amy Jo Jackson performs
  • The Cake

    The Cake

    by Bekah Brunstetter / Directed by Courtney O’Connor (Lyric Stage Company of Boston)

    Curtain call at The Cake
  • Tuck Everlasting

    Tuck Everlasting

    Music by Chris Miller / Lyrics by Nathan Tysen / Book by Claudia Shear and Tim Federle / Based on “Tuck Everlasting” by Natalie Babbitt / Directed by Nancy Curran Willis (The Umbrella Arts Center)

    Curtain call at Tuck Everlasting
  • Come From Away

    Come From Away

    Music, lyrics, and book by Irene Sankoff and David Hein / Directed by Daniel Goldstein based on original direction by Christopher Ashley (Providence Performing Arts Center)

    Curtain call at Come From Away