Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,429 items (and counting) proving that I read, I saw, and I actually paid attention.
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Ulysses, 2nd century BCE (foreground); Marc Quinn, HISTORYNOW: Shaman Triptych, BBC News, 2021 -
Anselm Kiefer, These writings, when burned, will finally give some light, 2022 -
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Giannantonio Selva, Teatro La Fenice, 1792 -
Ceiling above altar, c. 836 -
Pedro Cabrita Reis, Field, 2022 -
Michelangelo, David, 1501-1504 -
Leon Battista Alberti, Santa Maria Novella, 1420 -
Caravaggio, Medusa, 1597 -
Arnolfo di Cambio, Filippo Brunelleschi, Emilio De Fabris; Rotunda; 1296-1436 -
Helidon Xhixha, La O di Giotto, 2017 -
Carlo Dolci, Saint Rose of Lima, 1668 -
The gala musical performance -
Curtain call at The Inheritance, Part 2 -
Curtain call at Head Over Heels -
“My mom gave me this 9-mil for my 13th birthday. Yeah. I’ll always remember what she put on the card, ‘Jesus Loves Winners.’ That’s why no matter what I do, I aim to win.”
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“Like a time-capsule, the photographs of the interiors of the Nakagin Capsule Tower units—shot by Noritaka Minami over the course of many years—transport me back in time to the Tokyo of the 1970s, where I spent my childhood. More immediately, they take me slightly less further back, to a time eight years ago when I rented a unit in Tower B.”
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“Aw, look, poor thing—they won’t let her shop. Yeah, like those salesgirls in Beverly Hills aren’t bigger whores than she is.”
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“I only wanted absolute quiet to think out why I had developed a sad attitude toward sadness, a melancholy attitude toward melancholy and a tragic attitude toward tragedy—why I had become identified with the objects of my horror or compassion.”
