Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,222 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Bach St John Passion

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow
  • The Adrenaline Issue

    Kinfolk Magazine

    “It’s easy for us to get too comfortable in the routines we’ve carved out for ourselves, but there’s immense value in prioritizing our self-improvement and challenging our minds and bodies to look beyond our perceived limits. By pushing our physical and mental faculties to the extreme, we can break through to a new level of what’s possible. So the next time life knocks us off-kilter, we’ll be able to right ourselves twice as quickly.”

  • Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther
  • An Evening with Kelli O’Hara

    Celebrity Series of Boston (Sanders Theatre)

    The ensemble takes a bow
  • Everything Is Dada

    Yale University Art Gallery

    The entrance to the exhibition
  • Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow
  • Dvořák, Tsontakis, and Strauss

    Boston Symphony Orchestra

    Robert Sheena, english horn, takes a well-deserved bow
  • Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    TAG: A Table for Artists to Gather (Goethe-Institut Boston)

    Alma and Gustav Mahler share a laugh
  • Milk Like Sugar

    by Kirsten Greenidge / Directed by M. Bevin O’Gara (Huntington Theatre Company)

  • All Haydn

    Handel and Haydn Society (Symphony Hall)

    Aisslinn Nosky takes a well-deserved bow