Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,222 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Violet

    Music by Jeanine Tesori / Book and lyrics by Brian Crawley / Based on “The Ugliest Pilgrim” by Doris Betts / Directed by Paul Daigneault (Speakeasy Stage Company)

  • Disgraced

    by Ayad Akhtar / Directed by Gordon Edelstein (Huntington Theatre Company)

  • Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

  • Holiday Pops

    Boston Pops (Symphony Hall)

    Grandma Betty and I before the concert begins

  • Handel Messiah

    Boston Baroque (NEC’s Jordan Hall)

    The ensemble takes a bow

  • Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

    Curtain call at Natasha, Pierre & the Great Comet of 1812

  • Once

    Music by Glen Hansard and Markéta Irglová / Book by Enda Walsh / Based on “Once” by John Carney / Directed by John Tiffany (Shubert Theatre)

    Curtain call at Once

  • Die Fledermaus

    Music by Johann Strauss II / Libretto by Karl Haffner and Richard Genée / Directed by Jeremy Sams (The Metropolitan Opera)

    Curtain call at Die Fledermaus

  • Penelope

    Music by Sarah Kirkland Snider / Libretto by Ellen McLaughlin (Beth Morrison Projects at the Isabella Stewart Gardner Museum)

    “The honeyed fruit they offered dripped forgetfulness. Those who tasted it fell where they were, dreaming, their faces smeared smiling with the sweetness of the end of any desire for home. I drove them, weeping, to their rowing benches and tied them in, but still they moaned, straining to look back over their shoulders at the disappearing shore, like children carried off from their calling mothers.”

  • Handel Messiah

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow