Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,212 items (and counting) proving that I read, I saw, and I actually paid attention.

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  • The Trip to Echo Spring: On Writers and Drinking

    by Olivia Laing

    “At some point, you have to set down the past. At some point, you have to accept that everyone was doing their best. At some point, you have to gather yourself up, and go onward into your life.”

  • Grief is for People

    by Sloane Crosley

    “So many of us will accept adoration even if it’s not about us, even if it’s only about the perception of us. Or some service we provide. We are happy to be cast in other people’s plays so long as we’re given a role.”

  • The Bar at Twilight

    by Frederic Tuten

    “Is this the bar for horses or have I come to the wrong place?”

  • Weight of the Earth: The Tape Journals of David Wojnarowicz

    by David Wojnarowicz

    “It’s just a real gentle moment. I’m here by myself and I don’t mind. I kind of wish it could just stay like this for maybe a few years, or I just never moved out of this spot. I could just watch the light stay like this. And maybe somebody coming along and just putting their arms around me for a few minutes.”

  • Orphic Paris

    by Henri Cole

    “Introducing the idea of beauty as a salve and of aesthetics making something difficult accessible.”

  • Spring Cannot Be Cancelled

    by David Hockney and Martin Gayford

    “Most art will disappear. The past is edited so it always looks clearer to us. Today always looks a bit of a jumble. We’ll put up with rubbish from now, but not with rubbish from the past.”

  • Fragments of an Infinite Memory: My Life with the Internet

    by Maël Renouard (translated by Peter Behrman de Sinéty)

    “In the Internet, there is a fountain of youth into which at first you drunkenly plunge your face, and then in the dawn light you see your reflection, battered by the years.”

  • Entitlement

    by Rumaan Alam

    “The thing that makes life interesting is that it ends. The thing that makes love worthwhile is that it’s all we’ve got.”

  • Art Writing in Crisis

    Edited by Brad Haylock and Megan Patty

    “Art writing helps us to understand art which in turn helps us to understand such crises. But art writing itself is in crisis. Newspapers and magazines offer fewer channels than ever for independent art criticism, persistent institutional biases exclude the positions of many, and a proliferation of platforms presents opportunities and challenges in equal measure.”

  • Art as Therapy

    by Alain de Botton and John Armstrong

    “Curiosity takes ignorance seriously, and is confident enough to admit when it does not know. It is aware of not knowing, and it sets out to do something about it”