Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,212 items (and counting) proving that I read, I saw, and I actually paid attention.

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  • I Am a Camera

    by John van Druten / Based on “The Berlin Stories” by Christopher Isherwood

    “I am a camera, with its shutter open, quite passive. Some day all of this will have to be will have to be developed, carefully printed, fixed.”

  • The Stranger

    by Albert Camus (translated by Matthew Ward)

    “One always has exaggerated ideas about what one doesn’t know.”

  • Chasing Beauty: The Life of Isabella Stewart Gardner

    by Natalie Dykstra

    “Our faith might cause our light to shine on some other heart which as yet had no light of its own.”

  • Maurice

    by E.M. Forster

    “You confuse what’s important with what’s impressive.”

  • Cassandra at the Wedding

    by Dorothy Baker

    “You want to know what my doctor said the first time she saw it? Yes you do. She said everything about it gives evidence of an informed taste. That’s a quote.”

  • Worn: A People’s History of Clothing

    by Sofi Thanhauser

    “As the garment industry left the United States, it undid the work of industrial feminists like Clara Lemlich and Rose Schneiderman, who had the audacity to demand that intellectual satisfaction was the birthright of every sewing machine operator. This new brand of feminism didn’t care to protect sewing work as good work; rather it scoured the earth to find the cheapest new sources of exploitable, female labor.”

  • A Single Man

    by Christopher Isherwood

    “But now isn’t simply now. Now is also a cold reminder: one whole day later than yesterday, one year later than last year. Every now is labeled with its date, rendering all past nows obsolete, until—later of sooner—perhaps—no, not perhaps—quite certainly: it will come.”

  • Insult and the Making of the Gay Self

    by Didier Eribon (translated by Michael Lucey)

    “There is a kind of energy born out of shame, formed by and in it, that can act as a force for transformation. This energy finds its expression in a theatricalized identity, in performance, in a love of display or extravagance, in parody. Self-display and theatricality are and have been among the most important means of defying heteronormative hegemony—and this is why they have always been the objects of such virulent attacks.”

  • Summer Crossing

    by Truman Capote

    “Most of life is so dull it is not worth discussing, and it is dull at all ages. When we change our brand of cigarette, move to a new neighborhood, subscribe to a different newspaper, fall in and out of love, we are protesting in ways both frivolous and deep against the not to be diluted dullness of day-to-day living.”

  • Answered Prayers

    by Truman Capote

    “Most secrets should never be told, but especially those that are more menacing to the listener than to the teller.”