Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Magic Flute

    The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder / Directed by Mark Streshinsky (Boston Baroque at NEC’s Jordan Hall)

    Curtain call at The Magic Flute
  • Megacities Asia

    Megacities Asia

    Museum of Fine Arts, Boston (Boston, MA)

    Hema Upadhyay, 8′ × 12′, 2009
  • Bootycandy

    Bootycandy

    by Robert O’Hara / Directed by Summer L. Williams (Speakeasy Stage Company)

  • Can You Forgive Her?

    Can You Forgive Her?

    by Gina Gionfriddo / Directed by Peter DuBois (Huntington Theatre Company)

  • The Water Lilies cycle

    The Water Lilies cycle

    Musée de l’Orangerie (Paris, Île-de-France)

    Claude Monet, Water Lilies Cycle, 1918
  • Permanent collection

    Permanent collection

    Musée Rodin (Paris, Île-de-France)

    Camille Claudel, The Waltz, 1893
  • Passion

    Passion

    Music and lyrics by Stephen Sondheim / Book by James Lapine / Based on “Passione d’Amore” by Ruggero Maccari and Ettore Scola and “Fosca” by Iginio Ugo Tarchetti / Directed by Fanny Ardant (Théâtre du Châtelet)

    Curtain call at Passion
  • Permanent collection

    Permanent collection

    Musée Carnavalet (Paris, Île-de-France)

    Albert Guillaume, Les retardataires, 1914
  • Installation view, Double Je
  • Simon Evans: Not Not Knocking On Heaven’s Door

    Simon Evans: Not Not Knocking On Heaven’s Door

    Palais de Tokyo (Paris, Île de France)

    Simon Evans, Wallpaper, 2015
  • Alvin Ailey American Dance Theater

    Alvin Ailey American Dance Theater

    Celebrity Series of Boston (Wang Theatre, Boston, MA)

    The ensemble takes its bow
  • Bach St. John Passion

    Bach St. John Passion

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow
  • The Adrenaline Issue

    The Adrenaline Issue

    Kinfolk Magazine

    “It’s easy for us to get too comfortable in the routines we’ve carved out for ourselves, but there’s immense value in prioritizing our self-improvement and challenging our minds and bodies to look beyond our perceived limits. By pushing our physical and mental faculties to the extreme, we can break through to a new level of what’s possible. So the next time life knocks us off-kilter, we’ll be able to right ourselves twice as quickly.”

  • Werther

    Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther
  • An Evening with Kelli O’Hara

    An Evening with Kelli O’Hara

    Celebrity Series of Boston (Sanders Theatre)

    The ensemble takes a bow
  • Everything Is Dada

    Everything Is Dada

    Yale University Art Gallery (New Haven, CT)

    The entrance to the exhibition
  • Switch

    Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow
  • Dvořák, Tsontakis, and Strauss

    Dvořák, Tsontakis, and Strauss

    Boston Symphony Orchestra

    Robert Sheena, english horn, takes a well-deserved bow
  • Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    TAG: A Table for Artists to Gather (Goethe-Institut Boston)

    Alma and Gustav Mahler share a laugh
  • Milk Like Sugar

    Milk Like Sugar

    by Kirsten Greenidge / Directed by M. Bevin O’Gara (Huntington Theatre Company)