Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,399 items (and counting) proving that I read, I saw, and I actually paid attention.

  • Bach St. John Passion

    Bach St. John Passion

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow
  • The Adrenaline Issue

    The Adrenaline Issue

    Kinfolk Magazine

    “It’s easy for us to get too comfortable in the routines we’ve carved out for ourselves, but there’s immense value in prioritizing our self-improvement and challenging our minds and bodies to look beyond our perceived limits. By pushing our physical and mental faculties to the extreme, we can break through to a new level of what’s possible. So the next time life knocks us off-kilter, we’ll be able to right ourselves twice as quickly.”

  • Werther

    Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther
  • An Evening with Kelli O’Hara

    An Evening with Kelli O’Hara

    Celebrity Series of Boston (Sanders Theatre)

    The ensemble takes a bow
  • Everything Is Dada

    Everything Is Dada

    Yale University Art Gallery (New Haven, CT)

    The entrance to the exhibition
  • Switch

    Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow
  • Dvořák, Tsontakis, and Strauss

    Dvořák, Tsontakis, and Strauss

    Boston Symphony Orchestra

    Robert Sheena, english horn, takes a well-deserved bow
  • Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    TAG: A Table for Artists to Gather (Goethe-Institut Boston)

    Alma and Gustav Mahler share a laugh
  • Milk Like Sugar

    Milk Like Sugar

    by Kirsten Greenidge / Directed by M. Bevin O’Gara (Huntington Theatre Company)

  • All Haydn

    All Haydn

    Handel and Haydn Society (Symphony Hall)

    Aisslinn Nosky takes a well-deserved bow
  • Violet

    Violet

    Music by Jeanine Tesori / Book and lyrics by Brian Crawley / Based on “The Ugliest Pilgrim” by Doris Betts / Directed by Paul Daigneault (Speakeasy Stage Company)

  • Disgraced

    Disgraced

    by Ayad Akhtar / Directed by Gordon Edelstein (Huntington Theatre Company)

  • Natasha, Pierre & the Great Comet of 1812

    Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

  • Holiday Pops

    Holiday Pops

    Boston Pops (Symphony Hall)

    Grandma Betty and I before the concert begins
  • Handel Messiah

    Handel Messiah

    Boston Baroque (NEC’s Jordan Hall)

    The ensemble takes a bow
  • Natasha, Pierre & the Great Comet of 1812

    Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

    Curtain call at Natasha, Pierre & the Great Comet of 1812
  • Once

    Once

    Music by Glen Hansard and Markéta Irglová / Book by Enda Walsh / Based on “Once” by John Carney / Directed by John Tiffany (Shubert Theatre, Boston, MA)

    Curtain call at Once
  • Die Fledermaus

    Die Fledermaus

    Music by Johann Strauss II / Libretto by Karl Haffner and Richard Genée / Directed by Jeremy Sams (The Metropolitan Opera)

    Curtain call at Die Fledermaus
  • Penelope

    Penelope

    Music by Sarah Kirkland Snider / Libretto by Ellen McLaughlin (Beth Morrison Projects at the Isabella Stewart Gardner Museum)

  • Handel Messiah

    Handel Messiah

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow