Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,376 items (and counting) proving that I read, I saw, and I actually paid attention.

  • An Evening with Kelli O’Hara

    An Evening with Kelli O’Hara

    Celebrity Series of Boston (Sanders Theatre)

    The ensemble takes a bow
  • Everything Is Dada

    Everything Is Dada

    Yale University Art Gallery (New Haven, CT)

    The entrance to the exhibition
  • Switch

    Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow
  • Dvořák, Tsontakis, and Strauss

    Dvořák, Tsontakis, and Strauss

    Boston Symphony Orchestra

    Robert Sheena, english horn, takes a well-deserved bow
  • Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    TAG: A Table for Artists to Gather (Goethe-Institut Boston)

    Alma and Gustav Mahler share a laugh
  • Milk Like Sugar

    Milk Like Sugar

    by Kirsten Greenidge / Directed by M. Bevin O’Gara (Huntington Theatre Company)

  • All Haydn

    All Haydn

    Handel and Haydn Society (Symphony Hall)

    Aisslinn Nosky takes a well-deserved bow
  • Violet

    Violet

    Music by Jeanine Tesori / Book and lyrics by Brian Crawley / Based on “The Ugliest Pilgrim” by Doris Betts / Directed by Paul Daigneault (Speakeasy Stage Company)

  • Disgraced

    Disgraced

    by Ayad Akhtar / Directed by Gordon Edelstein (Huntington Theatre Company)

  • Natasha, Pierre & the Great Comet of 1812

    Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

  • Holiday Pops

    Holiday Pops

    Boston Pops (Symphony Hall)

    Grandma Betty and I before the concert begins
  • Handel Messiah

    Handel Messiah

    Boston Baroque (NEC’s Jordan Hall)

    The ensemble takes a bow
  • Natasha, Pierre & the Great Comet of 1812

    Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

    Curtain call at Natasha, Pierre & the Great Comet of 1812
  • Once

    Once

    Music by Glen Hansard and Markéta Irglová / Book by Enda Walsh / Based on “Once” by John Carney / Directed by John Tiffany (Shubert Theatre, Boston, MA)

    Curtain call at Once
  • Die Fledermaus

    Die Fledermaus

    Music by Johann Strauss II / Libretto by Karl Haffner and Richard Genée / Directed by Jeremy Sams (The Metropolitan Opera)

    Curtain call at Die Fledermaus
  • Penelope

    Penelope

    Music by Sarah Kirkland Snider / Libretto by Ellen McLaughlin (Beth Morrison Projects at the Isabella Stewart Gardner Museum)

  • Handel Messiah

    Handel Messiah

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow
  • A Confederacy of Dunces

    A Confederacy of Dunces

    by Jeffrey Hatcher / Based on the novel by John Kennedy Toole / Directed by David Esbjornson (Huntington Theatre Company)

    Curtain call at A Confederacy of Dunces
  • Opus

    Opus

    CIRCA and Debussy Quartet (Celebrity Series of Boston)

    Curtain call at Opus
  • Chopin Without Piano

    Chopin Without Piano

    Centrala / Directed by Michal Zadara (ArtsEmerson)

    View of the preset