Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,212 items (and counting) proving that I read, I saw, and I actually paid attention.

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  • Un Giorno di Regno

    Music by Giuseppe Verdi / Libretto by Felice Romani / Directed by Joshua Major (Odyssey Opera)

  • Zanetto and Il Segreto di Susanna

    Zanetto (Music by Pietro Mascagni / Libretto by Giovanni Targioni-Tozzetti and Guido Menasci) Susanna (Music by Ermanno Wolf-Ferrari / Libretto by Enrico Golisciani) / Directed by Daniel Gidron (Odyssey Opera)

    Curtain call at Il Segreto di Susanna

  • Acis and Galatea

    Music by George Frideric Handel / Libretto by John Gay (Handel and Haydn Society and Mark Morris Dance Group)

  • Il ritorno d’Ulisse in patria

    Music by Claudio Monteverdi / Libretto by Giacomo Badoaro (Boston Baroque at NEC’s Jordan Hall)

    The ensemble takes a bow

  • La Cenerentola

    Music by Gioachino Rossini / Libretto by Jacopo Ferretti (The Metropolitan Opera)

    Joyce Didonato takes a curtain call

  • Rigoletto

    Music by Giuseppe Verdi / Libretto by Francesco Maria Piave / Based on Le roi s’amuse by Victor Hugo / Directed by Tomer Zvulun (Boston Lyric Opera)

  • La descente d’OrphĂ©e aux enfers

    Music by Marc-Antoine Charpentier (Boston Early Music Festival)

    The ensemble takes a bow

  • The Cunning Little Vixen

    Music and libretto by Leoš Janáček / Directed by Johnathon Pape (The Boston Conservatory)

  • The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder (Boston Lyric Opera)

    Cirque performers lead patrons across the street to the opening night gala

  • No Exit

    Music by Andy Vores / Libretto by Andy Vores / Adapted from the play by Jean-Paul Sartre / Directed by Nathan Troup (Guerilla Opera)

    “Hell is other people.”