Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,212 items (and counting) proving that I read, I saw, and I actually paid attention.

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  • The Merry Wives of Windsor

    Music by Otto Nicolai / Libretto by Salomon Hermann Mosenthal / Based on “The Merry Wives of Windsor” by William Shakespeare (The Boston Conservatory)

    Curtain call at The Merry Wives of Windsor

  • Breaking the Waves

    Music by Missy Mazzoli / Libretto by Royce Vavrek / Based on “Breaking the Waves” by Lars von Trier / Directed by James Darrah (Prototype Festival)

    Curtain call at Breaking the Waves

  • L’Amour de loin

    Music by Kaija Saariaho / Libretto by Amin Maalouf / Based on “La vida breve” by Jaufré Rudel / Directed by Robert LePage (The Metropolitan Opera)

    Curtain call at L’Amour de loin

  • Greek

    Music by Mark-Anthony Turnage / Libretto adapted by Mark-Anthony Turnage and Jonathan Moore from “Greek” by Steven Berkoff / Directed by Sam Helfrich (Boston Lyric Opera)

    Curtain call at Greek

  • Song from the Uproar: The Lives and Deaths of Isabelle Eberhardt

    Music by Missy Mazzoli / Libretto by Royce Vavrek and Missy Mazzoli (Beth Morrison Projects at the Isabella Stewart Gardner Museum)

    The ensemble takes a bow

  • Carmen

    Music by Georges Bizet / Libretto by Ludovic Halévy and Henri Meilhac / Directed by Calixto Bieito (Boston Lyric Opera)

    Curtain call at Carmen

  • Madame White Snake

    Music by Zhou Long / Libretto by Cerise Lim Jacobs / Directed and designed by Michael Counts (White Snake Projects with Beth Morrison Projects)

    Curtain call at Madame White Snake

  • The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder / Directed by Mark Streshinsky (Boston Baroque at NEC’s Jordan Hall)

    Curtain call at The Magic Flute

  • Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther

  • Switch

    Music and libretto by John Aylward / Directed by Laine Rettmer (ECCE Ensemble at Le Laboratoire)

    The ensemble takes a bow