Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Category is

Opera

  • Die Fledermaus

    Music by Johann Strauss II / Libretto by Karl Haffner and Richard Genée / Directed by Jeremy Sams (The Metropolitan Opera)

    Curtain call at Die Fledermaus

  • Our Town

    Music by Ned Rorem / Libretto by J.D. McClatchy / Based on the Thornton Wilder play / Directed by Greg Smucker (Boston Opera Collaborative)

    Curtain call at Our Town

  • Crossing

    Music and libretto by Matthew Aucoin / Directed by Diane Paulus (American Repertory Theater)

  • Sir John in Love

    Music and libretto by Ralph Vaughan Williams / Based on “The Merry Wives of Windsor” by William Shakespeare / Directed by Joshua Major (Odyssey Opera)

    Curtain call at Sir John in Love

  • Don Giovanni

    Music by Wolfgang Amadeus Mozart / Libretto by Lorenzo Da Ponte / Directed by Emma Griffin (Boston Lyric Opera)

    Curtain call at Don Giovanni

  • Handel’s Agrippina

    Music by George Frideric Handel / Libretto by Vincenzo Grimani / Directed by Mark Streshinsky (Boston Baroque at NEC’s Jordan Hall)

    The ensemble takes a bow

  • Kátya Kabanová

    Music by Leoš Janáček / Libretto by Francesco Vincenc Cervinka / English translation by Norman Tucker / Directed by Tim Albery (Boston Lyric Opera)

    Curtain call at Kátya Kabanová

  • The Fantastic Mr. Fox

    Music by Tobias Picker / Libretto by Donald Sturrock / Based on Roald Dahl’s children’s novel (Odyssey Opera)

    Curtain call at The Fantastic Mr. Fox

  • The Magic Flute

    Isango Ensemble / Adapted and directed by Mark Dornford-May (ArtsEmerson)

    Curtain call at The Magic Flute

  • Die Tote Stadt

    Music by Erich Wolfgang Korngold / Libretto by Erich Wolfgang Korngold, Julius Korngold, and Paul Schott (Odyssey Opera)

  • Un Giorno di Regno

    Music by Giuseppe Verdi / Libretto by Felice Romani / Directed by Joshua Major (Odyssey Opera)

  • Zanetto and Il Segreto di Susanna

    Zanetto (Music by Pietro Mascagni / Libretto by Giovanni Targioni-Tozzetti and Guido Menasci) Susanna (Music by Ermanno Wolf-Ferrari / Libretto by Enrico Golisciani) / Directed by Daniel Gidron (Odyssey Opera)

    Curtain call at Il Segreto di Susanna

  • Acis and Galatea

    Music by George Frideric Handel / Libretto by John Gay (Handel and Haydn Society and Mark Morris Dance Group)

  • Il ritorno d’Ulisse in patria

    Music by Claudio Monteverdi / Libretto by Giacomo Badoaro (Boston Baroque at NEC’s Jordan Hall)

    The ensemble takes a bow

  • La Cenerentola

    Music by Gioachino Rossini / Libretto by Jacopo Ferretti (The Metropolitan Opera)

    Joyce Didonato takes a curtain call

  • Rigoletto

    Music by Giuseppe Verdi / Libretto by Francesco Maria Piave / Based on Le roi s’amuse by Victor Hugo / Directed by Tomer Zvulun (Boston Lyric Opera)

  • La descente d’OrphĂ©e aux enfers

    Music by Marc-Antoine Charpentier (Boston Early Music Festival)

    The ensemble takes a bow

  • The Cunning Little Vixen

    Music and libretto by Leoš Janáček / Directed by Johnathon Pape (The Boston Conservatory)

  • The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder (Boston Lyric Opera)

    Cirque performers lead patrons across the street to the opening night gala

  • No Exit

    Music by Andy Vores / Libretto by Andy Vores / Adapted from the play by Jean-Paul Sartre / Directed by Nathan Troup (Guerilla Opera)

    “Hell is other people.”