Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive proving that I read, I saw, and I actually paid attention.

  • Starlight Express

    Music by Andrew Lloyd Webber / Lyrics by Richard Stilgoe (Starlight Auditorium)

    The cast performs “Starlight Express Megamix”

  • Shakespeare’s Globe

    London, England

    View of the theater from the pit

  • Tate Modern

    London, England

    Farah Al Qasimi, Woman in Leopard Print, 2019

  • The National Gallery

    London, England

    Jan van Eyck, Portrait of Giovanni(?) Arnolfini and his Wife, 1434

  • National Portrait Gallery

    London, England

    Master John, King Edward VI of England, 1547

  • A Single Man

    Choreography by Jonathan Watkins / Music by John Grant and Jasmin Kent Rodgman / Based on the novel by Christopher Isherwood (Royal Ballet)

    Curtain call at A Single Man

  • Pretentiousness: Why it Matters

    by Dan Fox

    “Claims to ordinariness and salt-of-the-earth virtue—‘slumming it,’ as it’s crudely called—are themselves pretentious. The assumption that dropping your aitches or asserting a love of a cheap beer over a fine wine, or processed cheese over a Parmesan, will make you seem unspoiled or somehow more gritty is classic downwardly mobile play-acting.”

  • The Wiz

    Book by William F. Brown / Music by Charlie Smalls, Timothy Graphenreed, Harold Wheeler, George Faison, and Luther Vandross / Lyrics by Charlie Smalls, Zachary Walzer, and Luther Vandross / Based on The Wonderful Wizard of Oz by L. Frank Baum (Broadway in Boston)

    Curtain call at The Wiz

  • Killing Stella

    by Marlen Haushofer (translated by Shaun Whiteside)

    “The act of salvation is never performed, because anyone with the strength to carry it out is unaware that they must do it, and the knowing person is incapable of action.”

  • Vanessa

    Music by Samuel Barber / Libretto by Gian Carlo Menotti / Adapted by Jacob Ashworth / Arranged by Dan Schlosberg (Williamstown Theatre Festival)

    Curtain call at Vanessa