Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

Speakeasy Stage Company

  • Swept Away

    Book by John Logan / Music and lyrics by The Avett Brothers / Directed by Jeremy Johnson (Speakeasy Stage Company)

    Curtain call at Swept Away
  • Jaja’s African Hair Braiding

    by Jocelyn Bioh / Directed by Summer L. Williams (Speakeasy Stage Company)

    Curtain call at Jaja’s African Hair Braiding
  • A Man of No Importance

    Book by Terrence McNally / Music by Stephen Flaherty / Lyrics by Lynn Ahrens / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at A Man of No Importance
  • Ain’t No Mo’

    by Jordan E. Cooper / Directed by Dawn M. Simmons (Speakeasy Stage Company)

    “Do you know what they get to keep if you stay here? You want them to have all the height and all the power? You just gonna let them have Billie’s flower? If they get that, then they get Ella’s scat, they get Pac’s rap, they get Oprah’s wagon of fat…. and I’ll be damned if I leave and they get to keep Whitney off crack!”

  • A Strange Loop

    Book, music, and lyrics by Michael R. Jackson / Directed by Maurice Emmanuel Parent (Speakeasy Stage Company)

    Curtain call at A Strange Loop
  • Cost of Living

    by Martyna Majok / Directed by Alex Lonati (Speakeasy Stage Company)

    Curtain call at Cost of Living
  • A Case for the Existence of God

    by Samuel D. Hunter / Directed by Melinda Lopez (Speakeasy Stage Company)

    Curtain call at A Case for the Existence of God
  • The Band’s Visit

    Music and lyrics by David Yazbek / Book by Itamar Moses / Based on “The Band’s Visit” by Eran Kolirin / Directed by Paul Daigneault (Speakeasy Stage Company and Huntington Theatre Company)

    Curtain call at The Band’s Visit
  • POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive

    by Selina Fillinger / Directed by Paula Plum (Speakeasy Stage Company)

    Curtain call at POTUS
  • The Prom

    Music by Matthew Sklar / Lyrics by Chad Beguelin / Book by Bob Martin and Chad Beguelin / Based on an original concept by Jack Viertel / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at The Prom
  • The Inheritance, Parts 1 and 2

    by Matthew López / Inspired by “Howards End” by E. M. Forster / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at The Inheritance, Part 2
  • The Children

    by Lucy Kirkwood / Directed by Bryn Boice (Speakeasy Stage Company)

    Curtain call at The Children
  • Admissions

    by Joshua Harmon / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at Admissions
  • The View UpStairs

    Music, lyrics, and book by Max Vernon / Directed by Paul Daigneault (Speakeasy Stage Company)

    Detail of the set
  • School Girls; Or, The African Mean Girls Play

    by Jocelyn Bioh / Directed by Summer L. Williams (Speakeasy Stage Company)

    Curtain call at School Girls
  • Once

    Music by Glen Hansard and Markéta Irglová / Book by Enda Walsh / Based on “Once” by John Carney / Directed by Paul Melone (Speakeasy Stage Company)

    Curtain call at Once
  • Fun Home

    Book and lyrics by Lisa Kron / Music by Jeanine Tesori / Based on Alison Bechdel’s graphic memoir / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at Fun Home
  • Allegiance

    Music and lyrics by Jay Kuo / Book by Marc Acito, Jay Kuo, and Lorenzo Thione / Based on the life of George Takei / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at Allegiance
  • Shakespeare in Love

    by Lee Hall / Based on “Shakespeare in Love” by Marc Norman and Tom Stoppard / Directed by Scott Edmiston (Speakeasy Stage Company)

    Curtain call at Shakespeare in Love
  • The Curious Incident of the Dog in the Night-Time

    by Simon Stephens / Based on the novel by Mark Haddon / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at The Curious Incident of the Dog in the Night-Time