Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

Play

  • The Cocktail Hour

    by A.R. Gurney / Directed by Maria Aitken (Huntington Theatre Company)

    View of the preset
  • The Power of Duff

    by Stephen Belber / Directed by Peter DuBois (Huntington Theatre Company)

    “Have a safe and happy night.”

  • The Snow Geese

    by Sharr White / Directed by Daniel Sullivan (Manhattan Theatre Club at the Samuel J. Friedman Theatre)

  • Tribes

    by Nina Raine / Directed by M. Bevin O’Gara (Speakeasy Stage Company)

    “People yelling in your ear however much you explain, so you literally have to grab their face and stick it in front of you.”

  • Looped Rob Ruggiero

    by Matthew Lombardo / Directed by Rob Ruggiero (Cutler Majestic Theater)

  • Master Class

    by Terrence McNally / Directed by Antonio Ocampo-Guzman (New Repertory Theatre)

    “So. How is everyone? Can you hear me? I don’t believe in microphones. Singing is first of all about projection. So is speech. People are forgetting how to listen. They want everything blasted at them. Listening takes concentration. If you can’t hear me, it’s your fault. You’re not concentrating.”

  • Ryan Landry’s “M”

    by Ryan Landry / Directed by Caitlin Lowland (Huntington Theatre Company)

    The logo on the sidewalk outside the theater
  • Meet Vera Stark

    by Lynn Nottage / Directed by Summer L. Williams (Lyric Stage Company of Boston)

    “After years of neglect, someone saw fit to pull me out of a dusty old trunk.”

  • Stones in His Pockets

    by Marie Jones / Directed by Courtney O’Connor (Lyric Stage Company of Boston)

  • The Lover

    by Harold Pinter / Directed by Olivia D’Ambrosio (Bridge Rep)

    “Frankness at all cost is essential for a happy marriage.”

  • Who’s Afraid of Virginia Woolf

    by Edward Albee / Directed by Pam MacKinnon (Booth Theatre)

  • The Glass Menagerie

    by Tennessee Williams / Directed by John Tiffany (American Repertory Theater)

    “Time is the longest distance between two places.”

  • Other Desert Cities

    by Jon Robin Baitz / Directed by Scott Edmiston (Speakeasy Stage Company)

  • Our Town

    by Thornton Wilder / Directed by David Cromer (Huntington Theatre Company)

    “Oh, earth, you’re too wonderful for anybody to realize you.”

  • Betrayal

    by Harold Pinter / Directed by Maria Aitken (Huntington Theatre Company)

    “I hate brandy…it stinks of modern literature.”

  • Now or Later

    by Christopher Shinn / Directed by Michael Wilson (Huntington Theatre Company)

    A view of the preset
  • Modern Terrorism, or They Who Want to Kill Us and How We Learn to Love Them

    by Jon Kern / Directed by Peter DuBois (Second Stage at the Tony Kiser Theatre)

  • The Motherfucker with the Hat

    by Stephen Adly Guirgis / Directed by David R. Gammons (Speakeasy Stage Company)

  • Good People

    by David Lindsay-Abaire / Directed by Kate Whoriskey (Huntington Theatre Company)

    Opening night toast at the after party
  • Marie Antoinette

    by David Adjmi / Directed by Rebecca Taichman (American Repertory Theater)

    “In Vienna I used to just have an espresso every day in the morning for breakfast, and like a piece of chocolate and a biscuit, and that was it. And nobody stood around watching me eat, I just ate. And I didn’t have to look at my reflection all day in gilt-edged mirrors was outside, in nature, playing. The oak trees, the firs. All that sunlight? The pores of my skin drank up sunlight.”