Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

Play

  • Paranormal Activity

    by Levi Holloway / Based on “Paranormal Activity” by Oren Peli / Directed by Felix Barrett (Emerson Colonial Theatre)

    Curtain call at Paranormal Activity
  • Delirium

    Written and directed by Igor Golyak / Adapted from “Frenzy for Two” by Eugène Ionesco (Arlekin Players)

    Curtain call at Delirium
  • Fallen Angels

    by Noël Coward / Directed by Scott Ellis (Roundabout Theatre Company, live stream)

    “If you’ll allow me to say so, madam, several drinks never did any harm; it’s only the first drink which is dangerous; after that the damage is done.”

  • The Crucible

    by Arthur Miller / Directed by Toni Ruscio (Curtain Call Theatre)

    “He have his goodness now. God forbid I take it from him!”

  • The Adding Machine

    by Elmer L. Rice with revisions by Thomas Bradshaw / Directed by Scott Elliott (The New Group, live stream)

    Jennifer Tilly is the most perfect actor of our era.

  • When Playwrights Kill

    by Matthew Lombardo / Directed by Noah Himmelstein (Huntington Theatre)

    Curtain call at When Playwrights Kill
  • Stereophonic

    by David Adjmi / Music by Will Butler / Directed by Daniel Aukin (Emerson Colonial Theatre)

    Curtain call at Stereophonic
  • Oedipus

    Written and directed by Robert Icke, after Sophocles (Studio 54)

  • Finding Dorothy Parker

    Compiled and directed by Douglas Carter Beane (Laurie Beechman Theatre)

    Anika Larsen, Jackie Hoffmann, Julie Halston, and Ann Harada perform
  • Camino Real

    by Tennessee Williams / Directed by Dustin Wills (Williamstown Theatre Festival)

    Curtain call at Camino Real
  • Our Class

    by Tadeusz Słobodzianek / Directed by Igor Golyak (Arlekin Players)

    Curtain call at Our Class
  • Camino Real

    by Tennessee Williams

    “When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”

  • Jaja’s African Hair Braiding

    by Jocelyn Bioh / Directed by Summer L. Williams (Speakeasy Stage Company)

    Curtain call at Jaja’s African Hair Braiding
  • Ain’t No Mo’

    by Jordan E. Cooper / Directed by Dawn M. Simmons (Speakeasy Stage Company)

    “Do you know what they get to keep if you stay here? You want them to have all the height and all the power? You just gonna let them have Billie’s flower? If they get that, then they get Ella’s scat, they get Pac’s rap, they get Oprah’s wagon of fat…. and I’ll be damned if I leave and they get to keep Whitney off crack!”

  • I Am a Camera

    by John van Druten / Based on “The Berlin Stories” by Christopher Isherwood

    “I am a camera, with its shutter open, quite passive. Some day all of this will have to be will have to be developed, carefully printed, fixed.”

  • Cost of Living

    by Martyna Majok / Directed by Alex Lonati (Speakeasy Stage Company)

    Curtain call at Cost of Living
  • A Case for the Existence of God

    by Samuel D. Hunter / Directed by Melinda Lopez (Speakeasy Stage Company)

    Curtain call at A Case for the Existence of God
  • POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive

    by Selina Fillinger / Directed by Paula Plum (Speakeasy Stage Company)

    Curtain call at POTUS
  • The Inheritance, Parts 1 and 2

    by Matthew López / Inspired by “Howards End” by E. M. Forster / Directed by Paul Daigneault (Speakeasy Stage Company)

    Curtain call at The Inheritance, Part 2
  • The House of Bernarda Alba

    by Federico GarcĂ­a Lorca

    “I want no weeping. We must look death in the face. Silence! Be quiet, I said! Tears, when you’re alone. We will all drown ourselves in a sea of mourning. The youngest daughter of Bernarda Alba has died a virgin. Did you hear me? Silence! Silence, I said! Silence!”