“Isn’t that it, to be yourself and somehow, to belong?”
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“Isn’t that it, to be yourself and somehow, to belong?”
“So many of us will accept adoration even if it’s not about us, even if it’s only about the perception of us. Or some service we provide. We are happy to be cast in other people’s plays so long as we’re given a role.”
“It strikes me that the glory of art is the glory of survival, for survival is an inhuman property. It is an attribute of mountains and objects, of the worthless toys in the children’s bedroom at home that will outlive us all. That which is human decays and disappears, only in art does the quality of humanity favor survival. Only in art is a record kept of an instant, that the next instant does not erase.”
“When the nuns came to be blessed by the Patriarch, who on special holy days, went by my house in a motorboat, I detached the phallus of the horseman and hid it in a drawer. I also did this on certain days when I had to receive stuffy visitors, but occasionally I forgot, and when confronted with this phallus found myself in great embarrassment. The only thing to do in such cases was to ignore it. In Venice a legend spread that I had several phalluses of different sizes, like spare parts, which I used on different occasions.”
“In Shubert Alley that night, I had unwittingly reached the threshold of an entire landscape of alleys that would lead to a world of theaters, each a house packed with strangers both generous and mean, shabby and grand. It was to be a life full of the transitory moments, double-edged with ecstasy and loss, that I had already come to think of as the theater.”