“Most art will disappear. The past is edited so it always looks clearer to us. Today always looks a bit of a jumble. We’ll put up with rubbish from now, but not with rubbish from the past.”
Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,429 items (and counting) proving that I read, I saw, and I actually paid attention.
Collection
Contemporary art
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Sara Cwynar, Alphabet, 2025 -
John Wilson, Study for the Young Americans, 1973 -
Installation view, Waters of the Abyss -
Installation view, About Time -
Nick Goss, En Route, 2024 -
Installation view of Rinus Van de Velde exhibit -
Sun Yuan and Peng Yu, Teenager Teenager, 2011 (foreground); Pascale Marthine Tayou, Colorful Stones, 2019 (background) -
Kimsooja, To Breathe — Constellation, 2024 -
Installation view, On Christopher Street -
Firelei Báez, Adjusting the Moon (The right to non-imperative clarities): Waxing, 2019–2020 -
Arghavan Khosravi, Untitled, 2020 (right); The Pain, 2020 (right) -
Raqib Shaw, The Retrospective 2002–2022, 2015-2022 (background); Small Adam, 2011 (foreground) -
Bruce Yonemoto and Norman Yonemoto, Environmental, 1993 -
Julie Mehretu, Congress, 2003 -
Chris Burden, Transfixed, 1974 -
Guadalupe Maravilla, Mariposa Relámpago, 2023 -
Simone Leigh, Las Meninas, 2019 (center); Sentinel IV, 2020 -
Joseph Grigely, White Noise, 1996–2023
