Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

Cambridge

  • Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

  • Natasha, Pierre & the Great Comet of 1812

    Music, lyrics, and book by Dave Mallow / Based on “War and Peace” by Leo Tolstoy / Directed by Rachel Chavkin (American Repertory Theater)

    Curtain call at Natasha, Pierre & the Great Comet of 1812
  • Waitress

    Book by Jessie Nelson / Music and lyrics by Sara Bareilles / Based upon the motion picture written by Adrienne Shelly / Directed by Diane Paulus (American Repertory Theater)

    The lobby display at Waitress
  • Father Comes Home From the Wars, Parts 1, 2 & 3

    by Suzan-Lori Parks / Directed by Jo Bonney (American Repertory Theater)

  • Finding Neverland

    Music and lyrics by Gary Barlow and Eliot Kennedy / Book by James Graham / Based on “The Man Who Was Peter Pan” by Allan Knee and “Finding Neverland” by David Magee / Directed by Diane Paulus (American Repertory Theater)

    “When your feet don’t touch the ground
    You won’t feel the things that hurt
    And you’re free, there’s no need to come down.”

  • The quartet takes a bow
  • The Pirates of Penzance

    The Hypocrites production of Sean Graney’s adaptation of The Pirates of Penzance by Gilbert and Sullivan / Directed by Sean Graney (American Repertory Theater)

    View of the preset
  • The Glass Menagerie

    by Tennessee Williams / Directed by John Tiffany (American Repertory Theater)

    “Time is the longest distance between two places.”

  • Marie Antoinette

    by David Adjmi / Directed by Rebecca Taichman (American Repertory Theater)

    “In Vienna I used to just have an espresso every day in the morning for breakfast, and like a piece of chocolate and a biscuit, and that was it. And nobody stood around watching me eat, I just ate. And I didn’t have to look at my reflection all day in gilt-edged mirrors was outside, in nature, playing. The oak trees, the firs. All that sunlight? The pores of my skin drank up sunlight.”

  • Betty Buckley in concert

    Regattabar

  • Medea

    by Euripides / Translated by Robin Robertson / Directed by David R. Gammons (Actors’ Shakespeare Project)

  • Wild Swans

    by Jung Chang / Adapted by Alexandra Wood / Directed by Sacha Wares (American Repertory Theater)

  • Three Pianos

    by Rick Burkhardt, Alec Duffy, and Dave Malloy / With music from Franz Schubert’s “Winterreise” / Directed by Rachel Chavkin (American Repertory Theater)

  • The Gershwins’ Porgy and Bess

    by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin / Based on “Porgy” by DuBose Heyward / Directed by Diane Paulus (American Repertory Theater)

  • Mouth Wide Open (ART First Look)

    Written and performed by Amy Brenneman / Directed by Sabrina Peck (American Repertory Theater)

  • The Bach Experience

    Handel and Haydn Society (Memorial Church at Harvard)

  • Prometheus Bound

    Music by Serj Tankian / Book and lyrics by Steven Sater / Directed by Diane Paulus (American Repertory Theater)

  • Ajax

    by Sophocles / Directed by Sarah Benson (American Repertory Theater)

  • R. Buckminster Fuller: The History (and Mystery) of the Universe

    Written and directed by D. W. Jacobs / From the life, work, and writings of R. Buckminster Fuller (American Repertory Theater)

  • The Blue Flower

    Music, lyrics, and book by Jim Bauer / Story by Ruth Bauer / Directed by Will Pomerantz (American Repertory Theater)