Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,364 items (and counting) proving that I read, I saw, and I actually paid attention.

Collection

Boston

  • The Wild Party

    Book by George C. Wolfe and Michael John LaChiusa / Music and lyrics by Michael John LaChiusa / Based on “The Wild Party” by Joseph Moncure March / Directed and choreographed by Rachel Bertone (Moonbox Productions)

  • Hubbard Street Dance Chicago

    Celebrity Series of Boston (Shubert Theatre)

    The group takes a bow

  • The Magic Flute

    Music by Wolfgang Amadeus Mozart / Libretto by Emanuel Schikaneder / Directed by Mark Streshinsky (Boston Baroque at NEC’s Jordan Hall)

    Curtain call at The Magic Flute

  • Megacities Asia

    Museum of Fine Arts, Boston

    Hema Upadhyay, 8′ x 12′, 2009

  • Bootycandy

    by Robert O’Hara / Directed by Summer L. Williams (Speakeasy Stage Company)

  • Can You Forgive Her?

    by Gina Gionfriddo / Directed by Peter DuBois (Huntington Theatre Company)

  • Alvin Ailey American Dance Theater

    Celebrity Series of Boston (Wang Theatre)

    The ensemble takes its bow

  • Bach St. John Passion

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow

  • Werther

    Music by Jules Massenet / Libretto by Édouard Blau, Paul Milliet, and Georges Hartmann / Directed by Crystal Manich (Boston Lyric Opera)

    Curtain call at Werther

  • Dvořák, Tsontakis, and Strauss

    Boston Symphony Orchestra

    Robert Sheena, english horn, takes a well-deserved bow

  • Fin de Siècle Vienna: Party like it’s Achtzehnhundert Neunundneunzig

    TAG: A Table for Artists to Gather (Goethe-Institut Boston)

    Alma and Gustav Mahler share a laugh

  • Milk Like Sugar

    by Kirsten Greenidge / Directed by M. Bevin O’Gara (Huntington Theatre Company)

  • All Haydn

    Handel and Haydn Society (Symphony Hall)

    Aisslinn Nosky takes a well-deserved bow

  • Violet

    Music by Jeanine Tesori / Book and lyrics by Brian Crawley / Based on “The Ugliest Pilgrim” by Doris Betts / Directed by Paul Daigneault (Speakeasy Stage Company)

  • Disgraced

    by Ayad Akhtar / Directed by Gordon Edelstein (Huntington Theatre Company)

  • Holiday Pops

    Boston Pops (Symphony Hall)

    Grandma Betty and I before the concert begins

  • Handel Messiah

    Boston Baroque (NEC’s Jordan Hall)

    The ensemble takes a bow

  • Once

    Music by Glen Hansard and Markéta Irglová / Book by Enda Walsh / Based on “Once” by John Carney / Directed by John Tiffany (Shubert Theatre)

    Curtain call at Once

  • Penelope

    Music by Sarah Kirkland Snider / Libretto by Ellen McLaughlin (Beth Morrison Projects at the Isabella Stewart Gardner Museum)

  • Handel Messiah

    Handel and Haydn Society (Symphony Hall)

    The ensemble takes a bow