Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,410 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Magic Flute

    The Magic Flute

    Isango Ensemble / Adapted and directed by Mark Dornford-May (ArtsEmerson)

    Curtain call at The Magic Flute
  • Dear Elizabeth

    Dear Elizabeth

    by Sarah Ruhl / Directed by A. Nora Long (Lyric Stage Company of Boston)

  • Far From Heaven

    Far From Heaven

    Music by Scott Frankel / Lyrics by Michael Korie / Book by Richard Greenberg / Based on “Far From Heaven” by Todd Haynes / Directed by Scott Edmiston (Speakeasy Stage Company)

  • Die Tote Stadt

    Die Tote Stadt

    Music by Erich Wolfgang Korngold / Libretto by Erich Wolfgang Korngold, Julius Korngold, and Paul Schott (Odyssey Opera)

  • Guess Who’s Coming to Dinner

    Guess Who’s Coming to Dinner

    Adapted by Todd Kreidler / Directed by David Esbjornson (Huntington Theatre Company)

    A photo booth moment at the after party
  • Sweeney Todd: The Demon Barber of Fleet Street

    Sweeney Todd: The Demon Barber of Fleet Street

    Music and lyrics by Stephen Sondheim / Book by Hugh Wheeler / Based on “Sweeney Todd” by Christopher Bond / Directed by Spiro Veloudos (Lyric Stage Company of Boston)

  • Sultry Serenades

    Sultry Serenades

    A Far Cry (St. John’s Episcopal Church)

  • An evening with Kristin Chenoweth

    An evening with Kristin Chenoweth

    The Art House (Town Hall)

    Kristin Chenoweth takes the stage
  • Twelfth Night

    Twelfth Night

    by William Shakespeare / directed by Steven Maler (Commonwealth Shakespeare Company)

    A scene from Twelfth Night
  • Finding Neverland

    Finding Neverland

    Music and lyrics by Gary Barlow and Eliot Kennedy / Book by James Graham / Based on “The Man Who Was Peter Pan” by Allan Knee and “Finding Neverland” by David Magee / Directed by Diane Paulus (American Repertory Theater)

    “When your feet don’t touch the ground
    You won’t feel the things that hurt
    And you’re free, there’s no need to come down.”

  • The Big Party 2014

    The Big Party 2014

    Opus Affair (Eastern Standard Kitchen and Drinks)

    Dancers on the bar
  • Bullets Over Broadway

    Bullets Over Broadway

    Book by Woody Allen / Music and lyrics by various artists / Based on “Bullets Over Broadway” by Woody Allen and Douglas McGrath / Directed and choreographed by Susan Stroman (St. James Theatre, New York City, NY)

  • Lady Day at Emerson’s Bar and Grille

    Lady Day at Emerson’s Bar and Grille

    by Lanie Robertson / Directed by Lonny Price (Circle in the Square, New York City, NY)

  • Un Giorno di Regno

    Un Giorno di Regno

    Music by Giuseppe Verdi / Libretto by Felice Romani / Directed by Joshua Major (Odyssey Opera)

  • Zanetto and Il Segreto di Susanna

    Zanetto and Il Segreto di Susanna

    Zanetto (Music by Pietro Mascagni / Libretto by Giovanni Targioni-Tozzetti and Guido Menasci) Susanna (Music by Ermanno Wolf-Ferrari / Libretto by Enrico Golisciani) / Directed by Daniel Gidron (Odyssey Opera)

    Curtain call at Il Segreto di Susanna
  • Amaluna

    Amaluna

    Created and directed by Diane Paulus / Inspired by “The Tempest” by William Shakespeare (Cirque du Soleil)

  • The Grand Budapest Hotel

    The Grand Budapest Hotel

    Directed by Wes Anderson

    “You see, there are still faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity. Indeed that’s what we provide in our own modest, humble, insignificant… oh, fuck it.”

  • Billy Porter

    Billy Porter

    Boston Pops (Symphony Hall)

    Billy Porter performs “The Sex is in the Heel” from Kinky Boots
  • Carrie

    Carrie

    Music by Michael Gore / Lyrics by Dean Pitchford / Book by Lawrence D. Cohen / Based on “Carrie” by Stephen King / Directed by Paul Melone (Speakeasy Stage Company)

  • Acis and Galatea

    Acis and Galatea

    Music by George Frideric Handel / Libretto by John Gay (Handel and Haydn Society and Mark Morris Dance Group)