Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive proving that I read, I saw, and I actually paid attention.

  • Grief is for People

    by Sloane Crosley

    “So many of us will accept adoration even if it’s not about us, even if it’s only about the perception of us. Or some service we provide. We are happy to be cast in other people’s plays so long as we’re given a role.”

  • The Light in the Piazza

    Book by Craig Lucas / Music and lyrics by Adam Guettel / Based on the novel by Elizabeth Spencer (Huntington Theatre Company)

    Curtain call at The Light in the Piazza
  • The Bar at Twilight

    by Frederic Tuten

    “Is this the bar for horses or have I come to the wrong place?”

  • Jaja’s African Hair Braiding

    by Jocelyn Bioh (Speakeasy Stage Company)

    Curtain call at Jaja’s African Hair Braiding
  • Kimberly Akimbo

    Book and lyrics by David Lindsay-Abaire / Music by Jeanine Tesori (Broadway in Boston)

    Curtain call at Kimberly Akimbo
  • Weight of the Earth: The Tape Journals of David Wojnarowicz

    by David Wojnarowicz

    “It’s just a real gentle moment. I’m here by myself and I don’t mind. I kind of wish it could just stay like this for maybe a few years, or I just never moved out of this spot. I could just watch the light stay like this. And maybe somebody coming along and just putting their arms around me for a few minutes.”

  • Art in Bloom 2025

    Museum of Fine Arts, Boston

  • Orphic Paris

    by Henri Cole

    “Introducing the idea of beauty as a salve and of aesthetics making something difficult accessible.”

  • Spring Cannot Be Cancelled

    by David Hockney and Martin Gayford

    “Most art will disappear. The past is edited so it always looks clearer to us. Today always looks a bit of a jumble. We’ll put up with rubbish from now, but not with rubbish from the past.”

  • Sara Cwynar: Alphabet

    Institute of Contemporary Art, Boston

    Sara Cwynar, Alphabet, 2025