Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive proving that I read, I saw, and I actually paid attention.

  • The Light in the Piazza

    Book by Craig Lucas / Music and lyrics by Adam Guettel / Based on the novel by Elizabeth Spencer (Huntington Theatre Company)

    Curtain call at The Light in the Piazza
  • The Bar at Twilight

    by Frederic Tuten

    “Is this the bar for horses or have I come to the wrong place?”

  • Jaja’s African Hair Braiding

    by Jocelyn Bioh (Speakeasy Stage Company)

    Curtain call at Jaja’s African Hair Braiding
  • Kimberly Akimbo

    Book and lyrics by David Lindsay-Abaire / Music by Jeanine Tesori (Broadway in Boston)

    Curtain call at Kimberly Akimbo
  • Weight of the Earth: The Tape Journals of David Wojnarowicz

    by David Wojnarowicz

    “It’s just a real gentle moment. I’m here by myself and I don’t mind. I kind of wish it could just stay like this for maybe a few years, or I just never moved out of this spot. I could just watch the light stay like this. And maybe somebody coming along and just putting their arms around me for a few minutes.”

  • Art in Bloom 2025

    Museum of Fine Arts, Boston

  • Orphic Paris

    by Henri Cole

    “Introducing the idea of beauty as a salve and of aesthetics making something difficult accessible.”

  • Spring Cannot Be Cancelled

    by David Hockney and Martin Gayford

    “Most art will disappear. The past is edited so it always looks clearer to us. Today always looks a bit of a jumble. We’ll put up with rubbish from now, but not with rubbish from the past.”

  • Sara Cwynar: Alphabet

    Institute of Contemporary Art, Boston

    Sara Cwynar, Alphabet, 2025
  • Fragments of an Infinite Memory: My Life with the Internet

    by Maël Renouard (translated by Peter Behrman de Sinéty)

    “In the Internet, there is a fountain of youth into which at first you drunkenly plunge your face, and then in the dawn light you see your reflection, battered by the years.”