Kyle Thomas Hemingway: The ephemera edit

An ongoing digital archive of 1,222 items (and counting) proving that I read, I saw, and I actually paid attention.

  • The Merry Wives of Windsor

    Music by Otto Nicolai / Libretto by Salomon Hermann Mosenthal / Based on “The Merry Wives of Windsor” by William Shakespeare (The Boston Conservatory)

    Curtain call at The Merry Wives of Windsor

  • Listen Hear: The Art of Sound

    Isabella Stewart Gardner Museum

    Philip Beesley, Sentient Veil, 2017

  • Topdog/Underdog

    by Suzan-Lori Parks / Directed by Billy Porter (Huntington Theatre Company)

    Curtain call at Topdog/Underdog

  • The Curious Incident of the Dog in the Night-Time

    by Simon Stephens / Based on the novel by Mark Haddon / Directed by Marianne Elliott (Broadway in Boston)

    Curtain call at The Curious Incident of the Dog in the Night-Time

  • Grand Concourse

    by Melinda Lopez / Directed by Bridget Kathleen O’Leary (Speakeasy Stage Company)

    Curtain call at Grand Concourse

  • Know No

    Masary Studios (Cyclorama at the Boston Center for the Arts)

    Maria Finkelmeier performs

  • Emily Marvosh in recital

    Goethe-Institut Boston

  • Benjamin, Berlioz, Ravel

    Boston Symphony Orchestra with Bejun Mehta and Lorelei Ensemble

    Mehta and Lorelei Ensemble take a bow

  • Who’s Afraid of Virginia Woolf

    by Edward Albee / Directed by Scott Edmiston (Lyric Stage Company of Boston)

    Curtain call at Who’s Afraid of Virginia Woolf

  • Cabaret

    Music by John Kander / Lyrics by Fred Ebb / Book by Joe Masteroff / Based on “I Am a Camera” by John Van Druten and “Goodbye to Berlin” by Christopher Isherwood / Directed by B.T. McNicholl, based on the direction of Sam Mendes (Broadway in Boston)

    Curtain call at Cabaret