Kyle Thomas Hemingway: The ephemera edit
An ongoing digital archive of 1,374 items (and counting) proving that I read, I saw, and I actually paid attention.
Category is
Museum
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Henri de Toulouse-Lautrec, Moulin Rouge: La Goulue, 1891 -
Ron Mueck, Pinnochio, 1996 (Paula Rego commission) -
View of the main concourse Claude Monet, Le Déjeuner sur l’herbe, 1865-1866 Pierre-Auguste Renoir, Bal du moulin de la Galette, 1876 -
Tomás Saraceno, Algo-r(h)i(y)thms, 2018 -
Jean-Auguste-Dominique Ingres, Study for The Apotheosis of Napoleon I, 1853 -
Lonnie Holley, After the Revival (Vox Humana III: The Strength of Music Lives After the Instruments Are Destroyed), 2017 -
A particularly threatening panel of the panorama -
A wall of black, white, and red posters -
Mark Rothko, Three Untitled “Black Paintings”, 1964 -
Philip Beesley, Sentient Veil, 2017 -
JPW3, Circular A, 2016 -
Hema Upadhyay, 8′ × 12′, 2009 -
Claude Monet, Water Lilies Cycle, 1918 -
Camille Claudel, The Waltz, 1893 -
Albert Guillaume, Les retardataires, 1914 -
Installation view, Double Je -
Simon Evans, Wallpaper, 2015 -
The entrance to the exhibition -
Georges Seurat, A Sunday on La Grande Jatte, 1884 -
Sidney Harold Meteyard, St. Cecilia, c.1891
