“Outlining historical connections in colour can only get you so far\u2014there\u2019s an element that\u2019s missing if you don\u2019t experience it in person. In honour of this, the exhibition is itself an exercise in experimenting with colour, with the Vitra Design Museum\u00b4s collection acting as the material that Marcelis is manipulating. The museum\u2019s team are happy to give themselves up to this process, partly as it has allowed them to re-discover ‘objects that were previously virtually unknown or at least somewhat hidden,’ as Steinm\u00fcller describes it, and provide these objects with ‘the space to glow.’”<\/p>\n","protected":false},"excerpt":{"rendered":"
Disegno, the quarterly journal of design<\/p>\n","protected":false},"author":1,"featured_media":5128,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[1301],"class_list":["post-5127","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine","tag-disegno"],"yoast_head":"\n